My name is William Tyler and iam a Neo-Expressionist artist based in Toronto Ontario Canada.I make art to bring light .To get people to feel .To understand and to open their eyes and hearts .We live in a world that has many issues that get ignored or overseen, both social and human issues .I want to not only bring light to the issues being represented in my work but also allow those that are apart of those issues to know they arent alone and they have Allies and people who understand.
My name is William Tyler and iam a Neo-Expressionist artist based in Toronto Ontario Canada.I make art to bring light .To get people to feel .To understand and to open their eyes and hearts .We live in a world that has many issues that get ignored or overseen, both social and human issues .I want to not only bring light to the issues being represented in my work but also allow those that are apart of those issues to know they arent alone and they have Allies and people who understand.
Change of Address Acrylic and oil stick on stretched canvas 48×48 Bare Bones- A look into a sick mind *edition 2 Acrylic and oil stick on stretched canvas 36×48 More Weight-A look into a sick mind Acrylic and oil stick on stretched canvas 36×48 These are the facts – A guide to a one sided system Acrylic and oil stick on stretched canvas 36×48
Born and raised in New York City, Jay’s early art creations were greatly influenced by comic book artists such as John Romita, Steve Ditko, and Jim Steranko. During the late 70’s and early 80’s, Jay tried unsuccessfully to join the artistic ranks of both Marvel and DC comics. By 1982, he had become discouraged with the comic book style art that he had been doing, and proceeded to drastically change his style of art. This was the year that he plunged headlong into Pen & Ink Pointillism. Over the next few years, Jay was able to display his art in shows all throughout NYC, Long Island, and Connecticut, and became a member of various art groups such as: The Huntington Township Art League, The Long Island Black Artist Association, and The Harlem StreetGallery. Jay has since abandoned the Pen & Ink Pointillism style (Too costly and time consuming) and now focuses on creating art utilizing Colored Pencils and Ink. He currently resides in Elkridge, MD. with his two daughters, Taja and Kassandria.
Born and raised in New York City, Jay’s early art creations were greatly influenced by comic book artists such as John Romita, Steve Ditko, and Jim Steranko. During the late 70’s and early 80’s, Jay tried unsuccessfully to join the artistic ranks of both Marvel and DC comics. By 1982, he had become discouraged with the comic book style art that he had been doing, and proceeded to drastically change his style of art. This was the year that he plunged headlong into Pen & Ink Pointillism. Over the next few years, Jay was able to display his art in shows all throughout NYC, Long Island, and Connecticut, and became a member of various art groups such as: The Huntington Township Art League, The Long Island Black Artist Association, and The Harlem StreetGallery. Jay has since abandoned the Pen & Ink Pointillism style (Too costly and time consuming) and now focuses on creating art utilizing Colored Pencils and Ink. He currently resides in Elkridge, MD. with his two daughters, Taja and Kassandria.
Title “See” Medium Prismacolor Pencil art on bristol paper Size 14×17Title “Gestating Opinion Fountain” Medium Prismacolor Pencil art on bristol paper Size 16×20Title “Critters In The Sky” Medium Prismacolor Pencil art on bristol paper Size 16×20Title “Fractured Fragments” Medium Prismacolor Pencil art on bristol paper Size 16×20
Gale Rothstein’s art practice has always been about ‘putting together the pieces’-as a child it was not unusual for her to take apart one thing to make another. Creating assemblage/collage sculptures provides her with unlimited opportunities for choice of materials through her penchant for collecting vintage objects, the harvested innards of discarded and broken appliances and hardware, and the amazing things found on the street.
Gale Rothstein’s art practice has always been about ‘putting together the pieces’-as a child it was not unusual for her to take apart one thing to make another. Creating assemblage/collage sculptures provides her with unlimited opportunities for choice of materials through her penchant for collecting vintage objects, the harvested innards of discarded and broken appliances and hardware, and the amazing things found on the street. Through the creation of her assemblage environments, the parameters of context are wide open; she creates fantasy worlds that incorporate references to Dada and Surrealism, historical content, and through juxtaposition of contrasting elements, prompt the viewer to question relationships to scale, location, and relativity. “Where are we? Who is here with us? How big or small are we? Are we awake or dreaming?” As we enter and journey through a crumbling amusement park, abandoned bathroom consumed by nature, or bedroom that is situated simultaneously inside a room and on an Italian piazza, the visitor is challenged to reevaluate one’s sense of time, place, and orientation. Her titles are also part of the creative process; identifying the work with compelling names further add to the mystique and are an essential finishing touch.
The artist dedicates her work to the memory of her father Milton Rothstein, a jack of all trades and one of the original recyclers and re-purposers, decades before it was a trend. She inherited his vintage collection of parts, and incorporates many of his objects into her assemblages, further supporting the historical and personal foundation of the work.
Hui-ju Chen (Mickey) graduated from The School of the Art Institute of Chicago in 1996. Even though she has not been using art and design as her main profession, she has kept her passion of making art until today. Along with her teaching job at Shantou University, she always finds time to create various styles of work. It is interesting to see how her work has varied from photography to acrylic painting to mixed-media to collage. She hopes to keep being experimental because she believes that, in the art world, there are no real errors but different thoughts and processes with different outcomes. Without experimentation, she feels, art is not art. She gets inspiration from different aspects of life. She always hopes to learn and create different kinds of work by making use of her own different life experiences. It is normal to have lots of frustrations and doubts as one goes through the phases of creation. For Mickey, the biggest frustration has been the temptation and pressure to build and keep up one particular style in order to be a professional artist. Though it is true that a dedication to one style may enable one to come a little closer to perfection in that style, Mickey feels that art is about taking risks. If she is satisfied with one style, she believes that she loses a very important quality of art–the excitement of experiencing different things in the world. Therefore, she hopes to continue working in different ways and experimenting with different styles. Art making, for her, is not just a way to express herself but a way to define her existence.
Outsider Art Magazine 