I am inspired by accidental arrangements, pareidolia and dreams . These effects produce a quality of consciousness that makes art a magical journey for me. Much of my work is automatic , it happens while I do it. I enjoy this process of discovering a narrative. When I’m not painting, I’m busy making hand made jewelry.
I am inspired by accidental arrangements, pareidolia and dreams . These effects produce a quality of consciousness that makes art a magical journey for me. Much of my work is automatic , it happens while I do it. I enjoy this process of discovering a narrative. When I’m not painting, I’m busy making hand made jewelry.
The Pools of Cryptomnesia (or the stars journey through Pisces to Aquarius) | Acrylic | 24inx30in The lost i is in the spool of the cocoon | Acrylic on canvas, collage | 9inx12in Contagion of fear | Oil on canvas. collage | 9inx12in Green Man | Mixed Media | 20inx20in
Born in Amsterdam, Holland, my family emigrated to New York in the ’60s, eventually settling in Los Angeles. Art has occupied me from my earliest recollection. As a youngster, I would travel to the public library, return with 10 art books, devour them, then return for 10 more. Though I never had any formal training or, indeed, any sort of academic career, I educated myself through visits to museums and galleries, and, of course, by doing the work. Along with an intimacy with art, I have always considered it equally important and rewarding to maintain a bond with literature, music and the liberal arts. Every artist has to invent painting for themselves. I want to create compelling and original art, and have been fortunate to find outlets for my work along the way as well as support from some people who like what I do.
Born in Amsterdam, Holland, my family emigrated to New York in the ’60s, eventually settling in Los Angeles. Art has occupied me from my earliest recollection. As a youngster, I would travel to the public library, return with 10 art books, devour them, then return for 10 more. Though I never had any formal training or, indeed, any sort of academic career, I educated myself through visits to museums and galleries, and, of course, by doing the work. Along with an intimacy with art, I have always considered it equally important and rewarding to maintain a bond with literature, music and the liberal arts. Every artist has to invent painting for themselves. I want to create compelling and original art, and have been fortunate to find outlets for my work along the way as well as support from some people who like what I do.
Bullpen | mixed media on canvas | 80″x60″ Confluence | mixed media on shaped panel | 72″x36″ Fledgling | paint, collage on paper | 24″x19″ Ball and Claw | mixed media on canvas with inset assemblage | 26″x14″
Mandalena combines the classical with modernity, as she takes a timeless subject or topic and presents a modern rendition of it. She redefines and recreates a traditional idea, by imparting expression through brush strokes. She loves doing portraits and pays special attention to get a true likeness of the eyes as she firmly believes that our “eyes are the windows to our souls”. Her opinion is that the skillful use of the art isn’t only the attempt of reflection the reality but first of all, the most accurate devise of emotion.
Mandalena Wozniak Melissourgaki was born in Warsaw, the capital city of Poland but now she lives and works in Crete, Greece. From an early age, it was obvious that her biggest love is painting and she started participate to a lot of art competitions. She studied Fine Art at the Warsaw School of Art and then went on to get another degree in Multimedia Graphics. Trained in graphics art, she does illustrations, book covers, art installation and animation. A self-motivated and passionate artist, she paints in a variety of mediums- oils, pastels, charcoals, and works on various creative projects.
Mandalena combines the classical with modernity, as she takes a timeless subject or topic and presents a modern rendition of it. She redefines and recreates a traditional idea, by imparting expression through brush strokes. She loves doing portraits and pays special attention to get a true likeness of the eyes as she firmly believes that our “eyes are the windows to our souls”. Her opinion is that the skillful use of the art isn’t only the attempt of reflection the reality but first of all, the most accurate devise of emotion.
From the true and deep love to the art she teaches the sensibility of emotion and beauty to the new generation. Mandalena is an honorary member of Children’s Biennale and jury at Children’s Art Gallery in Greece. She believes that the art influences imagination and calmness and except that is the most universal language in the world.
Also, over the years she has been cooperated with the Archaeological Museum, located on Crete and until now she is making official and certificated copies of the most important artefacts and images from the Minoan Civilization collection.
Mandalena is a Jury committee president at the Aegean Arts International Festival on Crete and Honorary member of Biennale in Greece . In 2019, she participated to “The Folklore Museum” in Episkopi, in Palaiochora at Chania, to “Art Gallery Rome” in Rome, to in Zurich and to “ArtExpoProject” in Venice. Mandalena had a solo exhibition in the El Greco Museum. Furthermore, her work was published at the “The new Art Book 2019” from the Art Freaks Global.
In her last exhibition she presented an artwork collection which have shown the connection, but also the difference between the traditional and modern art. The goal of this collection was to pay attention on emotions which are the trait of modern art. Paintings were in couples, one was realistic and the other one was a description of feelings. Main part of the exhibition was dedicated to the metaphor of windows and the light pouring into the dark room. In her work she used different type of technique which influenced for different form of perception the same window. It was a theme which specially encouraged the reflection and made you think about the future.
This exhibition was the key to the imagination and was inviting the visitors to an amazing trip on their reflection.
Mandalena is an artist with a lot of great success and the last years her work was presented in few newspapers. Her works are in the collections of many private and corporate collectors from such countries as USA, Canada, Italy, Germany, Turkey etc. -12/2019 Publication in the SPOTLIGHT XVI Contemporary Art Magazine-Circle Foundation magazine
-2019Publication in a book of my artworks ART BOOK /ART FREAKSGLOBAL
-15-08/19-08/2019 ARTEXPO EXHIBITION ZURICH -2 -18 -06 /2019 SOLO EXHIBITION IN MUSEUM EL GRECO
4-12/07/2019AEGEAN ARTS INTERNATIONAL FESTIVAL
-29-06-04-07/2019 International exhibition in Rome ,ART GALLERY ROME
-11-18-05/2019 exhibition Παλαιόχωρα
I’m still waiting for you… | Acrylic on canvas palletkniffe | 50×70 cm Memories… | Acrylic on canvas palletknife | 50×70 cm The girl in the light of the moon | Acrylic on canvas pallet knife | 60×70 cm Girl with red hair in the light of the moon | Acrylic on canvas palletknife | 60×70 cm
My own work is deeply steeped in the European classical tradition, drawing much more inspiration in terms of form, lighting, composition, and atmosphere from the Renaissance and Baroque era than it draws from any contemporary art movement. It is completely figurative, with no abstraction, though with human figures that are slightly caricatured. My individual voice as an artist is opting for a more “conservative backlash” against the contemporary art scene and separates itself from the more sleek, stylized, graphic design look of contemporary artists. The figures lack the mass amounts of chiseled detail that are hallmarks of European Renaissance painting and sculpture, but instead exist as smooth, rubbery figures sitting in a Baroque inspired environment.
My own work is deeply steeped in the European classical tradition, drawing much more inspiration in terms of form, lighting, composition, and atmosphere from the Renaissance and Baroque era than it draws from any contemporary art movement. It is completely figurative, with no abstraction, though with human figures that are slightly caricatured. My individual voice as an artist is opting for a more “conservative backlash” against the contemporary art scene and separates itself from the more sleek, stylized, graphic design look of contemporary artists. The figures lack the mass amounts of chiseled detail that are hallmarks of European Renaissance painting and sculpture, but instead exist as smooth, rubbery figures sitting in a Baroque inspired environment.
“Time of Day (Girl in a Plaid Shirt)” | Oil on Canvas | 30×24 inches “A Seated Couple” | Acrylic on Canvas | 18×24 inches “Woman on a Staircase” | Oil on Canvas | 30×24 inches “Man in a Striped Shirt” | Acrylic and Oil on Canvas | 20×16 inches
I consider myself to be an “outsider artist” because I never went to art school, I’m self taught, and I own my voice through art making. I appreciate the creative process because it’s a way for me to grow and learn. I am very drawn to abstract style and I love to use many different colors in a thick, bold way. I want to catch people’s attention with my full color palette and thick, textured style.
Featured Artist
Katelyn Feldman | Santa Fe, NM
feldmancat45@gmail.com
I consider myself to be an “outsider artist” because I never went to art school, I’m self taught, and I own my voice through art making. I appreciate the creative process because it’s a way for me to grow and learn. I am very drawn to abstract style and I love to use many different colors in a thick, bold way. I want to catch people’s attention with my full color palette and thick, textured style.
The creative process is so enlightening because it’s fun and I get to explore different colors and textures. I love making abstract art because it’s always new and exciting, and I can create my own interpretations of the things around me. I have shown my artwork at InsideOut, Artstreet, the Santa fe South Branch Library, Artstreet, and the Santa Fe Recovery Center benefit. I have also donated art to the National Alliance for Mental Illness (NAMI).
Somewhere Green | Acrylic on Canvas | 24″x 24″ Blue Moon | Acrylic on Canvas | 48″x 60″ Southwest Grass | Acrylic on Canvas | 8″ x 12″ Abstract Ocean | Acrylic on Canvas | 36″x 48″
I am an outsider artist. I am self taught and use unusual materials in my work such as sheet rock and neon paint . My work is for me a spiritual path as I am now the artist called Billy the Kid Neon/Numen formerly just known simply as Billy the Kid Neon ( hehee). I became an artist when I was “Richard Dreyfussed” ( as in Close Encounters of the Third Kind) at Home Depot. I bought an 8′ x 4′ piece of sheet rock and with a neighbor’s help I set it on two saw horses and in a trance i did my first piece appropriately called “Future Numen.”. This solitary phase in my work culminated in my magnum opus “Yu Must Squeeze” – 7000 c.ft. installation .
Now I employ “fine” artists in my work and I think it is way better – not so rough and more accessible and now for sale and hopefully, placable. Thanks for your kind attention….LUV AND PEACE….BILLY
I am an outsider artist. I am self taught and use unusual materials in my work such as sheet rock and neon paint . My work is for me a spiritual path as I am now the artist called Billy the Kid Neon/Numen formerly just known simply as Billy the Kid Neon ( hehee). I became an artist when I was “Richard Dreyfussed” ( as in Close Encounters of the Third Kind) at Home Depot. I bought an 8′ x 4′ piece of sheet rock and with a neighbor’s help I set it on two saw horses and in a trance i did my first piece appropriately called “Future Numen.”. This solitary phase in my work culminated in my magnum opus “Yu Must Squeeze” – 7000 c.ft. installation .
Now I employ “fine” artists in my work and I think it is way better – not so rough and more accessible and now for sale and hopefully, placable. Thanks for your kind attention….LUV AND PEACE….BILLY
Billy’s Large Glass | Mixed media | 24.5″ x 45″ Pieta | Mixed media | 15.5″ x 29″ x 3″ Sex Wars | Mixed media | 23″ x 72″ The Adventures of Roy Rogers & Dale Evans & the Known God & the Unknown God & Abraxas in the Lost Canyon | Mixed media | 5′ x 5′ x 9′
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Sorrow Analog collage on hand woven pages 7″ x 10″ Jaws Of Life Analog collage on hand woven pages 7″ x 10″ At Arms Length Analog collage on hand woven pages 7.5″ x 10″
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade.
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade. I have noticed your magazine on the Internet and through email communication. I believe my work will be a great fit for your magazine as I have always been considered an “outsider artist” I am also the publisher of PUPPET MASTER MAGAZINE. Which is an underground art magazine on its 3rd issue and I have enjoyed diving into your magazine online to see the great work you and your team are doing. I would love to meet your team someday. I will submitting my own work of course for the submission that follows. I am submitting 4 pieces from a recent series of mixed media work.
Thank you and keep up the great work!
Eric Polise
THE GETAWAY CAR MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND OBJECTS 36″x48″ LUCIFER’S FARM MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND ITEMS 24″X48″ DOMESTIC GODDESS MIXED MEDIA WITH OIL, ACRYLIC, FOUND OBJECTS AND A RESIN FINISH 24″X36″ FIRST DAY OF REFORM SCHOOL MIXED MEDIA INCLUDING OIL, ACRYLIC, FOUND OBJECTS AND RESIN ON STRETCHED CANVAS 24″X36″
Ruby Michelle is an American artist that graduated with her BFA from California State University of Sacramento with a concentration in drawing and painting. Her artwork has a childlike quality that is inspired by fairytales, Asian culture, folklore and children’s literature, while the subject matter is often a reflection of everyday life with a twist of fantasy and surrealism.
“I enjoy drawing human expression and the feelings and bonds we have with nature as well as each other. This series of illustrations called “Blankspace” is a collection of snapshots or moments captured in time and representing both an everyday reality as well as a surreal fantasy. “
Ruby Michelle is an American artist that graduated with her BFA from California State University of Sacramento with a concentration in drawing and painting. Her artwork has a childlike quality that is inspired by fairytales, Asian culture, folklore and children’s literature, while the subject matter is often a reflection of everyday life with a twist of fantasy and surrealism.
“I enjoy drawing human expression and the feelings and bonds we have with nature as well as each other. This series of illustrations called “Blankspace” is a collection of snapshots or moments captured in time and representing both an everyday reality as well as a surreal fantasy. “
Space Station Mixed Media on Paper 8 x 8” Solar Sanctuary Mixed Media on Paper 8 x 8” Sunset Supernova Mixed Media on Paper 8 x 8” Galaxy Diner Mixed Media on Paper 8 x 8”
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Growing up, JoAnn continually sought out a variety of artistic endeavors like sculpting with clay, designing jewelry, sketching and painting. Her visual development grew further with her involvement in her high school theatre’s stage crew as costume and makeup designer. In college, she established a foundation of color theory, spatial and shape proportion and reveled in a new found passion exploring 3-dimensional drawing with wire. She graduated from Philadelphia’s Drexel University in 1995 with a BS in Graphic Design. While in Philadelphia she loved the city and the variety of people surrounding her, people from all over the world.
After graduating she stayed in the city, working for the Philadelphia Museum of Art. Among other things, she was responsible for hanging labels next to the paintings. With this opportunity to spend time in the galleries, empty of their crowds, JoAnn was enamored by the history and talent around her, and tried to soak it all up. Around this time she also had some of her own paintings in a few cafés in Philadelphia and Manyunk, PA, but unfortunately didn’t keep any records.
After leaving the museum, she worked as an art director for a few different pharmaceutical advertising and medical education companies, but eventually realized how far she’d veered from her passion for fine art. JoAnn found herself depressed and full of anxiety. Finding control of these mental diversions became apparent when she gave herself over to her creativity and got back to painting again.
In 2016, she again hung her art publicly at Green Wolf’s Village Barn and also Schang-Hai Gallery, both of Skippack, PA. JoAnn hopes that viewers of her art can recognize and absorb some of the peace and happiness she found in making it. She currently lives outside of Philadelphia with her husband and 2 incredible kids.
Artist Statement
BREAKING IT DOWN
People ask how long I’ve been an artist. I can’t remember a time that I wasn’t an artist, so the answer must be all my life. I love the complexity of shadow and highlight layered together to compose a face, an object, or a scene. I break down the components like puzzle pieces, forgetting what I know I see and deconstructing it into fragmented color, sometimes with hard edges, sometimes blending into one another. Conversely, I also love the simplicity that flat color and simple lines can combine to demonstrate vast emotion. Various weights and tones can hold texture as well as inspiration and sensitivity.
I think of objects in terms of their form; breaking elements down into fields of color, subtle gradients and contrasting shades. I seek to explore edges and the shadows they can create.
BUILDING IT UP
I build up tactile layers of paint gradually, while building up visual layers between foreground and background. I form my subject on the canvas using thin layers of paint, trying to be aware of the entire canvas at once, keeping in mind that one thing’s configuration affects another’s shape and shadows. The process has to be amorphic in that there is no one single path. As the piece grows with each level the image become more intelligible. In the final layers, I like to get messy, splashing paint and smearing with a palette knife. My goal is not to be photographic, but rather impressionistic.
For many years my focus was on portraits, still life and landscapes, keeping some kind of bond with reality I thought. I continue to explore nature in my work, but have also branched out into a new realm for me, what I like to call Abstract Humanity. My depictions of personal interaction live in environments not recognizable from our world, but from a place unique to varying perceptions or consciousness. In striving to provide a visual for emotions, often chasing circles and swirls across my canvas, I’ve noticed that I’m trying to once again find my true self, find the center.
My intention is to open a visual communication between myself and you, the viewer; I want to keep you engaged and your imagination active. Ultimately my wish is for you to become a collaborator in my work as your ideas about my art develop and grow.
Edgewater Plea Acrylic and Cut Paper on Canvas 18″ x 24″ God, Have We Prayed Enough Yet? Acrylic and Cut Paper on Canvas 12″ x 16″ Lost without You Acrylic and Cut Paper on Canvas 12″ x 16″ Lost in a Room Acrylic on Canvas 12″ x 12″