Thank you to all the Artists who submitted their artwork for consideration and congratulations to Jim Kopp for getting his work on the cover of issue two. Tons of great art didn’t make it into this issue, but don’t let that detour you. We are now accepting art submissions for issue three. SUBMIT HERE
Congratulations to all who made it into issue two of Outsider Art Magazine.
Thank you to everyone who participated and submitted your art for consideration. There was some amazing art that didn’t make the cut so please keep submitting for future issues of Outsider Art Magazine. Next call for art will be soon and we will send out an email and post a call for art.
Selected Artists listed in no particular order.
Selected Artists – Issue Two
Congratulations to all who made it into issue two of Outsider Art Magazine.
Thank you to everyone who participated and submitted your art for consideration. There was some amazing art that didn’t make the cut so please keep submitting for future issues of Outsider Art Magazine. Next call for art will be soon and we will send out an email and post a call for art.
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Sorrow Analog collage on hand woven pages 7″ x 10″ Jaws Of Life Analog collage on hand woven pages 7″ x 10″ At Arms Length Analog collage on hand woven pages 7.5″ x 10″
Kyle Rehm has been painting for over 35 years. He won a 4 year scholarship to MCAD (Minneapolis College of Art & Design) in 1985, but was unable to use it. This didn’t stop him from pursuing what he’d already committed to. At 17 he had the idea to create work that would be a one on one collaboration with the viewer. To create a more personal and intimate experience. He wanted the work to reflect differently with each member of the audience, like music. Music isn’t easily described or interpreted, yet everyone has a deeply intimate attraction to it, because of the imagination. Kyle wanted to create this experience in his work. To do this it had to incorporate all the ideas of art into one form. His idea was Imaginism, and the simple definition was this; Imagination delineates art through interpretation. This gave the viewer complete control of interpretation. In order to do this he had to create works that were enigmatically ambiguous, and yet welcomed the imagination in an intriguing way. He achieved this by his use of the line. This allowed the imagination an overwhelming number of possibilities. By doing so it also gave each viewer room to find a uniquely authentic interpretation that would evolve and change, and become more and more personal with time.
Kyle Rehm has been painting for over 35 years. He won a 4 year scholarship to MCAD (Minneapolis College of Art & Design) in 1985, but was unable to use it. This didn’t stop him from pursuing what he’d already committed to. At 17 he had the idea to create work that would be a one on one collaboration with the viewer. To create a more personal and intimate experience. He wanted the work to reflect differently with each member of the audience, like music. Music isn’t easily described or interpreted, yet everyone has a deeply intimate attraction to it, because of the imagination. Kyle wanted to create this experience in his work. To do this it had to incorporate all the ideas of art into one form. His idea was Imaginism, and the simple definition was this; Imagination delineates art through interpretation. This gave the viewer complete control of interpretation. In order to do this he had to create works that were enigmatically ambiguous, and yet welcomed the imagination in an intriguing way. He achieved this by his use of the line. This allowed the imagination an overwhelming number of possibilities. By doing so it also gave each viewer room to find a uniquely authentic interpretation that would evolve and change, and become more and more personal with time.
His work has been published by Oxford University Press in 2013, on the cover of “How to Build a Brain”. A textbook detailing how to build an Artificial Intelligence. Written by Dr. Christopher Eliasmith.
Currently, he’s working on a new experiment with his paintings. He’s creating new work from his original oil paintings by using digital tools. To be clear, the original works are only altered with these tools. Nothing is added, no colors or no images. These are not new paintings, but are completely reimagined original works. He first thought of this in 1989, but the tools back then were very primitive and very unintuitive. So he waited until the technology caught up to the idea. He considers the works as mixed media. A physical oil painting that’s been digitally altered. Each work is a progression toward something new.
No. 27 Oil painting Digitally altered, Mixed Media Digital Work No. 12 Oil painting Digitally altered, Mixed Media Digital Work No. 15 Oil painting Digitally altered, Mixed Media Digital Work No. 30 Oil painting Digitally altered, Mixed Media Digital Work
Jeanette Chan is a graphic artist and illustrator located in the San Francisco Bay Area. Her art incorporates dark and cute elements for a spooky, yet appealing aesthetic. Jeanette’s interests include traveling, meditation, trying new food, and birds. You can follow her on social media with her username, Comfydarkme.
Jeanette Chan is a graphic artist and illustrator located in the San Francisco Bay Area. Her art incorporates dark and cute elements for a spooky, yet appealing aesthetic. Jeanette’s interests include traveling, meditation, trying new food, and birds. You can follow her on social media with her username, Comfydarkme.
Double Ink, Watercolor, Colored Pencil 5 x 5 inches Blooming Ink, Watercolor 5.5 x 8.5 inches Deer Ink, Graphite, Digital ink 8.5 x 11 inches Whale Ink, Watercolor, Colored Pencil 5 x 5 inches
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade.
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade. I have noticed your magazine on the Internet and through email communication. I believe my work will be a great fit for your magazine as I have always been considered an “outsider artist” I am also the publisher of PUPPET MASTER MAGAZINE. Which is an underground art magazine on its 3rd issue and I have enjoyed diving into your magazine online to see the great work you and your team are doing. I would love to meet your team someday. I will submitting my own work of course for the submission that follows. I am submitting 4 pieces from a recent series of mixed media work.
Thank you and keep up the great work!
Eric Polise
THE GETAWAY CAR MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND OBJECTS 36″x48″ LUCIFER’S FARM MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND ITEMS 24″X48″ DOMESTIC GODDESS MIXED MEDIA WITH OIL, ACRYLIC, FOUND OBJECTS AND A RESIN FINISH 24″X36″ FIRST DAY OF REFORM SCHOOL MIXED MEDIA INCLUDING OIL, ACRYLIC, FOUND OBJECTS AND RESIN ON STRETCHED CANVAS 24″X36″
Ruby Michelle is an American artist that graduated with her BFA from California State University of Sacramento with a concentration in drawing and painting. Her artwork has a childlike quality that is inspired by fairytales, Asian culture, folklore and children’s literature, while the subject matter is often a reflection of everyday life with a twist of fantasy and surrealism.
“I enjoy drawing human expression and the feelings and bonds we have with nature as well as each other. This series of illustrations called “Blankspace” is a collection of snapshots or moments captured in time and representing both an everyday reality as well as a surreal fantasy. “
Ruby Michelle is an American artist that graduated with her BFA from California State University of Sacramento with a concentration in drawing and painting. Her artwork has a childlike quality that is inspired by fairytales, Asian culture, folklore and children’s literature, while the subject matter is often a reflection of everyday life with a twist of fantasy and surrealism.
“I enjoy drawing human expression and the feelings and bonds we have with nature as well as each other. This series of illustrations called “Blankspace” is a collection of snapshots or moments captured in time and representing both an everyday reality as well as a surreal fantasy. “
Space Station Mixed Media on Paper 8 x 8” Solar Sanctuary Mixed Media on Paper 8 x 8” Sunset Supernova Mixed Media on Paper 8 x 8” Galaxy Diner Mixed Media on Paper 8 x 8”
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Growing up, JoAnn continually sought out a variety of artistic endeavors like sculpting with clay, designing jewelry, sketching and painting. Her visual development grew further with her involvement in her high school theatre’s stage crew as costume and makeup designer. In college, she established a foundation of color theory, spatial and shape proportion and reveled in a new found passion exploring 3-dimensional drawing with wire. She graduated from Philadelphia’s Drexel University in 1995 with a BS in Graphic Design. While in Philadelphia she loved the city and the variety of people surrounding her, people from all over the world.
After graduating she stayed in the city, working for the Philadelphia Museum of Art. Among other things, she was responsible for hanging labels next to the paintings. With this opportunity to spend time in the galleries, empty of their crowds, JoAnn was enamored by the history and talent around her, and tried to soak it all up. Around this time she also had some of her own paintings in a few cafés in Philadelphia and Manyunk, PA, but unfortunately didn’t keep any records.
After leaving the museum, she worked as an art director for a few different pharmaceutical advertising and medical education companies, but eventually realized how far she’d veered from her passion for fine art. JoAnn found herself depressed and full of anxiety. Finding control of these mental diversions became apparent when she gave herself over to her creativity and got back to painting again.
In 2016, she again hung her art publicly at Green Wolf’s Village Barn and also Schang-Hai Gallery, both of Skippack, PA. JoAnn hopes that viewers of her art can recognize and absorb some of the peace and happiness she found in making it. She currently lives outside of Philadelphia with her husband and 2 incredible kids.
Artist Statement
BREAKING IT DOWN
People ask how long I’ve been an artist. I can’t remember a time that I wasn’t an artist, so the answer must be all my life. I love the complexity of shadow and highlight layered together to compose a face, an object, or a scene. I break down the components like puzzle pieces, forgetting what I know I see and deconstructing it into fragmented color, sometimes with hard edges, sometimes blending into one another. Conversely, I also love the simplicity that flat color and simple lines can combine to demonstrate vast emotion. Various weights and tones can hold texture as well as inspiration and sensitivity.
I think of objects in terms of their form; breaking elements down into fields of color, subtle gradients and contrasting shades. I seek to explore edges and the shadows they can create.
BUILDING IT UP
I build up tactile layers of paint gradually, while building up visual layers between foreground and background. I form my subject on the canvas using thin layers of paint, trying to be aware of the entire canvas at once, keeping in mind that one thing’s configuration affects another’s shape and shadows. The process has to be amorphic in that there is no one single path. As the piece grows with each level the image become more intelligible. In the final layers, I like to get messy, splashing paint and smearing with a palette knife. My goal is not to be photographic, but rather impressionistic.
For many years my focus was on portraits, still life and landscapes, keeping some kind of bond with reality I thought. I continue to explore nature in my work, but have also branched out into a new realm for me, what I like to call Abstract Humanity. My depictions of personal interaction live in environments not recognizable from our world, but from a place unique to varying perceptions or consciousness. In striving to provide a visual for emotions, often chasing circles and swirls across my canvas, I’ve noticed that I’m trying to once again find my true self, find the center.
My intention is to open a visual communication between myself and you, the viewer; I want to keep you engaged and your imagination active. Ultimately my wish is for you to become a collaborator in my work as your ideas about my art develop and grow.
Edgewater Plea Acrylic and Cut Paper on Canvas 18″ x 24″ God, Have We Prayed Enough Yet? Acrylic and Cut Paper on Canvas 12″ x 16″ Lost without You Acrylic and Cut Paper on Canvas 12″ x 16″ Lost in a Room Acrylic on Canvas 12″ x 12″
I am an entrepreneur, outsider-artist and freely thinking individual.
In my art I haven`t restricted my doing to anything specific. I act based on interest, intuition and inspiration. In my art you can see strongly my love for visual experiences, mystical world, diversity of life and unlimited joy.
I am an entrepreneur, outsider-artist and freely thinking individual. In my art I haven`t restricted my doing to anything specific. I act based on interest, intuition and inspiration. In my art you can see strongly my love for visual experiences, mystical world, diversity of life and unlimited joy.
What is happening to me? Photography Ruttolääkäri Acrylic painting Möykky 1. Acrylic painting Venäläinen munkki Photography
Hi! My name is Chelsea Chase. I consider myself a fairly new artist, at least with this type of medium, I feel that I have finally found my calling in the art world. I have always been creative and have tried my hand at multiple art forms. I actually had a portrait photography business for 10 years but I could never find a groove or style that really made me genuinely excited about my work. I was recently inspired by my best friend who is a 4th grade teacher who did an art project with her class using torn magazine pages. Through that I have found something that makes me truly unique and creates a richness and depth that really makes my heart happy.
Hi! My name is Chelsea Chase. I consider myself a fairly new artist, at least with this type of medium, I feel that I have finally found my calling in the art world. I have always been creative and have tried my hand at multiple art forms. I actually had a portrait photography business for 10 years but I could never find a groove or style that really made me genuinely excited about my work. I was recently inspired by my best friend who is a 4th grade teacher who did an art project with her class using torn magazine pages. Through that I have found something that makes me truly unique and creates a richness and depth that really makes my heart happy.
Huggies with Jesus Medium Mosaic Torn Magazine and Epoxy Glaze Size 18×24 Gone Fishing Medium Mosaic Torn Magazine and Epoxy Glaze Size 18×24 Last Meal Medium Mosaic Torn Magazine and Epoxy Glaze Size 18×24 Best Sisters Medium Mosaic Torn Magazine and Epoxy Glaze Size 18×24