Kevin Kemp
Stratford, Ontario, Canada
kevinkemp@execulink.com




Stratford, Ontario, Canada
kevinkemp@execulink.com




Wilmette, IL
robertfrankelart.com
@robertfrankelart
I like to create energy and motion by contrasting bright colors, heavy brushstrokes, and unusual shapes and textures.
Many people who view my work tell me it makes them happy. My lack of formal art training has enabled me to think and paint “out of the box” in regards to composition, textures, and colors.
I have been in a number of national and international exhibitions which include Van Der Plas Gallery, SITE Gallery, 440 Gallery, and Greenfield Gallery in NYC, La Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I have exhibited at Saatchgi-The Other Art Fair in Chicago and will be exhibiting in the Saatchi -Los Angeles exhibition in Spring of this year. In 2019 I was one of twenty finalists for the Art Takes Manhattan Competition.




Catalan artist and architect, I live and work in Barcelona.
My works try to express social and emotional diversity through the face.
Barcelona, Spain
http://www.ernestcompta.com/
@ernestcompta
Catalan artist and architect, I live and work in Barcelona.
My works try to express social and emotional diversity through the face.
Over the years I have moved between styles and formats, but I have always worked with the same theme: facial portrait. I work mainly with acrylics on canvas and paper, although some pieces are made with charcoal, oil, pastel and inks.
My stylistic influences include abstraction and expressionism. The range of anonymous faces runs on the identity of the characters. I try to express through facial features, looks and gestures, the nuances, complexity and contrasts of the emotional state of the subjects as a reflection of the mood and essential human aspects.





FROM| Outsider Art Magazine Issue Five

FREE Digital Version
$30 Print
Well, it’s finally ready! Issue Five.
Thank you to every artist who submitted artwork for this giant issue of Outsider Art Magazine. Get your art ready because in January 2021 we will be releasing a new call for art. In addition to visual art we will be accepting poetry, short (very short) stories, and interesting articles about artists and their creative journey.
Artists in this Issue
WILD TYPE
Robert Gorchov
Todd Brugman
John McCabe
Robbie Gallows
Dalia Goldberg
Stefan Pruteanu
Magdalena Sikora
Samantha Sadik
Sophie Jacobs
Paulina Klimek-Cornett
Abbott Philson
Nickolai Dostanko
Matthew Clarke
Szilard Juhasz
MRSN
Pracheta Banerjee
Baili Wise
Jimmy Gockel
Nicholas Teetelli
Karen Glykys
Robert Frankel
Charles McDowell
Arne Søvik Larsen
Nicole Sullivan
Hannah Bouchard
Xavier Yarto
Mark Pol
Joyce Thornbug
Ian Hartley
Margarita Henriksson
Harrison Ernst
Homer Johnson
Tiantian Ma
Kayle A. Martinez
Rocio Garcia Montiel
Brooke Mathews
Brian Simons
Oliver Quinto
Romero Pasin
Thomas Sciacca
Dawn Rettew
Erik Aleksiewicz
NPrima/Natalia Proskuriakova
Jesus Diaz
Noah Velez
Andrew Stackpole
Gwen Hallford
Barbara Redondo
Anastasiia Kruglova
Jack Oliver
Ken Berman
Monica Tiulescu
Kitty Taylor
Dio D’Brutto
Lisa Castel
Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.
Nicole Sullivan | Las Cruces, NM
@thestarsandgod
Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.




I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.
This is part of what makes painting interesting for me.
Robert Gorchov | Philadelphia, PA
I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.
This is part of what makes painting interesting for me.




RAW AND INTUITIVE
I am a compulsive artist…I paint everyday because I have to!
My images are raw and intuitive. Colors harmonize in unexpected ways and exuberance often collides with angst.
Faces predominate my work, many in frontal gazes that meets the viewer head -on; faces as maps that reveal places we’ve been…or may be going.
In the words of Zorba the Greek—
I embrace everything…the full catastrophe, speaking to the human condition of joy and triumph, suffering and celebration.
Joyce Thornbug | Asheville, NC
@joycehthornburg
RAW AND INTUITIVE
I am a compulsive artist…I paint everyday because I have to!
My images are raw and intuitive. Colors harmonize in unexpected ways and exuberance often collides with angst.
Faces predominate my work, many in frontal gazes that meets the viewer head -on; faces as maps that reveal places we’ve been…or may be going.
In the words of Zorba the Greek—
I embrace everything…the full catastrophe, speaking to the human condition of joy and triumph, suffering and celebration.




Xavier Yarto | El Cajon, CA
@xavier_Yarto
A Mexican painter who has managed to put in purely abstract work a very unique through the creation of particular colors that give great strength and impact to your work touch.
The author seeks to bring a point beyond abstract art by combining this technique with a job in high relief of pre-Hispanic culture, which he turned in its theme transforms in concept and reinforced with a new set of colors that the artist creates otherwise to highlight the meaning of each icon used in his work.
Artist ambassador in Tintoretto pennelli, Italy
Giorgio Vasari award winner 2019
Global art award nomination 2017 &18
Award winner images of the world, Bangkok, Thailand. 2019
After presenting several important and renowned places worldwide including Mexico, the U.S, Netherlands, Spain, England, Austria, Belgium, France (Louvre Museum in Paris), Italy (Palazzo della Cancelleria di Roma, Palazzo della Cancelleria Vaticana, Museo Villa Pisani di Venice) Denmark, Sweden, South Korea, Bangkok, Thailand.
No doubt his work hits again, because it not only offers the viewer the quality of an abstract work but takes the enigmatic world of pre-Columbian art . A job as its author calls it, ” a recreation of the Hispanic culture with a modern language.”
So Xavier Yarto contributes to art works full of color, strength and content. An artist who searches every new best to previous work.

The Parisian girl of the long hear | Acrylic on paper | 45 x 65 cm

The pretty girl with the pigtails and the cat named Keku | Acrylic on paper | 50 x 70 cm

The woman with the beautiful curls Acrylic on paper | Acrylic on paper | 45 x 65 cm

The man with the long mustache and the black cat | Acrylic on paper | 45 x 65 cm

Hannah Bouchard | Carlstadt, NJ
@Hbouchard_art
When registering for her first semester of college, Hannah discovered that Intro to Photography was full. She had to fulfill an art requirement to graduate, and painting was the next best thing.
Over the next 3 years at Drew University, Hannah would go on to take classes in painting and drawing, beginning the journey of discovering themes and motifs that are both beautiful and meaningful to her.
At the same time, she was struggling with the mental and physical symptoms of anxiety, and began attending weekly therapy, and later starting medication. It was through these decisions and healing processes that she realized she wanted to paint about women and mental health, but not in the way one might assume.
She became fascinated with the nuanced topics of mental health. Setting boundaries, loving oneself, learning to accept imperfection while simultaneously appreciating progress. Through all of this, Hannah feels more impassioned than ever to create, both for herself and the incredible women that may connect with these themes.
Artist statement: The things that cause us shame tend to teach us the most. By trying to make the frightening, beautiful, I’m not taking away the fact that issues of mental health are painful, but rather trying to empower these feelings and show how much they can transform us. These experiences transform me as much as they do my paintings.
Through my therapy sessions and other conversations with powerful women, I am given endless ideas that express how complicated yet beautiful the human experience is, especially for those who undergo both direct and subtle discrimination far too often. Not only do my friends model for the pieces, but they often inspire the concepts as well.
By using both rendered and abstract elements, I am working to create multiple layers that on one hand read as interior spaces, but can also be broken up into many planes. This is essential to advance the narrative that these are invented spaces, and sometimes break down and begin again. With figures that are typically more rendered in mystical places, I use both oil and acrylic to play with how far back the eye can go.
My work is meant to be a microphone for the experiences I see and feel. I think that using art as a channel for these voices is the best possible reason to be an artist.




Robert Frankel | Wilmette, IL
@robertfrankelart
Since I was a kid I kept myself busy carving sticks into mini-sculptures, doodling during class, and drawing figures on the sidewalk with chalk. Having never received any formal art training, I have managed to teach myself the basics of painting and wood sculpture.
I have exhibited in a number of Galleries that include SITE Gallery, 440 Gallery, and Van Der Plas Gallery in New York City, Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I was one of 20 finalists in 2019 as part of the “Art Takes Manhattan Competition.” My goal is to make the world a happier place through art.



