Katie Willes is a self-taught abstract expressionist. Her degree was in Chemistry, but her art education started in museums across Europe. With a passion for art herself, Katie’s mother took her to museums on every vacation and weekend trip during Katie’s teenage years, when Katie’s father was stationed at an Army hospital in Germany. Katie’s love for art continued and she takes her own children to museums in every new city and country they visit.
Despite her appreciation for art, Katie always thought of herself as a left-brained person. Her interest in abstract was piqued with her first visit to the MoMA in New York. When her oldest went away to college and studied art, Katie started painting as a way to connect with her. That sparked a passion that has blazed like wildfire. With an innate eye for color and design, Katie’s paintings also reflect her optimism and happy personality.
Katie Willes is a self-taught abstract expressionist. Her degree was in Chemistry, but her art education started in museums across Europe. With a passion for art herself, Katie’s mother took her to museums on every vacation and weekend trip during Katie’s teenage years, when Katie’s father was stationed at an Army hospital in Germany. Katie’s love for art continued and she takes her own children to museums in every new city and country they visit.
Despite her appreciation for art, Katie always thought of herself as a left-brained person. Her interest in abstract was piqued with her first visit to the MoMA in New York. When her oldest went away to college and studied art, Katie started painting as a way to connect with her. That sparked a passion that has blazed like wildfire. With an innate eye for color and design, Katie’s paintings also reflect her optimism and happy personality.
Chutes and Ladders | Acrylic and mixed media on panel | 12×12 inches In the Treehouse | Acrylic and mixed media on panel | 12×12 Summer on the Lake | Acrylic and mixed media on panel | 12×12 inches Switcheroo | Acrylic on panel Size 18×24 inches
My own work is deeply steeped in the European classical tradition, drawing much more inspiration in terms of form, lighting, composition, and atmosphere from the Renaissance and Baroque era than it draws from any contemporary art movement. It is completely figurative, with no abstraction, though with human figures that are slightly caricatured. My individual voice as an artist is opting for a more “conservative backlash” against the contemporary art scene and separates itself from the more sleek, stylized, graphic design look of contemporary artists. The figures lack the mass amounts of chiseled detail that are hallmarks of European Renaissance painting and sculpture, but instead exist as smooth, rubbery figures sitting in a Baroque inspired environment.
My own work is deeply steeped in the European classical tradition, drawing much more inspiration in terms of form, lighting, composition, and atmosphere from the Renaissance and Baroque era than it draws from any contemporary art movement. It is completely figurative, with no abstraction, though with human figures that are slightly caricatured. My individual voice as an artist is opting for a more “conservative backlash” against the contemporary art scene and separates itself from the more sleek, stylized, graphic design look of contemporary artists. The figures lack the mass amounts of chiseled detail that are hallmarks of European Renaissance painting and sculpture, but instead exist as smooth, rubbery figures sitting in a Baroque inspired environment.
“Time of Day (Girl in a Plaid Shirt)” | Oil on Canvas | 30×24 inches “A Seated Couple” | Acrylic on Canvas | 18×24 inches “Woman on a Staircase” | Oil on Canvas | 30×24 inches “Man in a Striped Shirt” | Acrylic and Oil on Canvas | 20×16 inches
I consider myself to be an “outsider artist” because I never went to art school, I’m self taught, and I own my voice through art making. I appreciate the creative process because it’s a way for me to grow and learn. I am very drawn to abstract style and I love to use many different colors in a thick, bold way. I want to catch people’s attention with my full color palette and thick, textured style.
Featured Artist
Katelyn Feldman | Santa Fe, NM
feldmancat45@gmail.com
I consider myself to be an “outsider artist” because I never went to art school, I’m self taught, and I own my voice through art making. I appreciate the creative process because it’s a way for me to grow and learn. I am very drawn to abstract style and I love to use many different colors in a thick, bold way. I want to catch people’s attention with my full color palette and thick, textured style.
The creative process is so enlightening because it’s fun and I get to explore different colors and textures. I love making abstract art because it’s always new and exciting, and I can create my own interpretations of the things around me. I have shown my artwork at InsideOut, Artstreet, the Santa fe South Branch Library, Artstreet, and the Santa Fe Recovery Center benefit. I have also donated art to the National Alliance for Mental Illness (NAMI).
Somewhere Green | Acrylic on Canvas | 24″x 24″ Blue Moon | Acrylic on Canvas | 48″x 60″ Southwest Grass | Acrylic on Canvas | 8″ x 12″ Abstract Ocean | Acrylic on Canvas | 36″x 48″
I am an outsider artist. I am self taught and use unusual materials in my work such as sheet rock and neon paint . My work is for me a spiritual path as I am now the artist called Billy the Kid Neon/Numen formerly just known simply as Billy the Kid Neon ( hehee). I became an artist when I was “Richard Dreyfussed” ( as in Close Encounters of the Third Kind) at Home Depot. I bought an 8′ x 4′ piece of sheet rock and with a neighbor’s help I set it on two saw horses and in a trance i did my first piece appropriately called “Future Numen.”. This solitary phase in my work culminated in my magnum opus “Yu Must Squeeze” – 7000 c.ft. installation .
Now I employ “fine” artists in my work and I think it is way better – not so rough and more accessible and now for sale and hopefully, placable. Thanks for your kind attention….LUV AND PEACE….BILLY
I am an outsider artist. I am self taught and use unusual materials in my work such as sheet rock and neon paint . My work is for me a spiritual path as I am now the artist called Billy the Kid Neon/Numen formerly just known simply as Billy the Kid Neon ( hehee). I became an artist when I was “Richard Dreyfussed” ( as in Close Encounters of the Third Kind) at Home Depot. I bought an 8′ x 4′ piece of sheet rock and with a neighbor’s help I set it on two saw horses and in a trance i did my first piece appropriately called “Future Numen.”. This solitary phase in my work culminated in my magnum opus “Yu Must Squeeze” – 7000 c.ft. installation .
Now I employ “fine” artists in my work and I think it is way better – not so rough and more accessible and now for sale and hopefully, placable. Thanks for your kind attention….LUV AND PEACE….BILLY
Billy’s Large Glass | Mixed media | 24.5″ x 45″ Pieta | Mixed media | 15.5″ x 29″ x 3″ Sex Wars | Mixed media | 23″ x 72″ The Adventures of Roy Rogers & Dale Evans & the Known God & the Unknown God & Abraxas in the Lost Canyon | Mixed media | 5′ x 5′ x 9′
I’m an autodidact who is fascinated by the process of creation and in particular the unadulterated pure creation associated with Art Brut and Outsider art.
I’m an autodidact who is fascinated by the process of creation and in particular the unadulterated pure creation associated with Art Brut and Outsider art.
I am on a journey to develop an artistic voice and practice by painting 100 sellable paintings in 1 year. I’ve never painted before in my life outside of childhood, and therefore I have seen a very steep evolution in my work over the last 6 months.
All my work ties closely to how i feel at the moment, and is somewhat refelctive of the general transformation i’ve undergone in this time.
#18 Puer Aeternus | Mixed Media on Panel board | 80cm x 60cm #20 Kia Kaha, Be Brave | Mixed Media on Panel board | 80cm x 60cm #26 Cultural Capital | Mixed Media on Panel board | 80cm x 60cm #38 Let go | Mixed Media on Panel board | 80cm x 60cm
”I was born in s’Hertogenbosch, the Netherlands in 1954. I have been a lifelong doodler.My work is influenced by children’s toy’s, folk and indigenous art forms. I am an amateur painter and maker of things. But I spend most of my time doing this and I will continue as long as there are new things to discover….I like my works to be joyous, colorful with a kinetic feel. I’ll work with and on anything available, including old wood, cardboard and all kinds of wonderful junk,” writes John van Orsouw.
”I was born in s’Hertogenbosch, the Netherlands in 1954. I have been a lifelong doodler.My work is influenced by children’s toy’s, folk and indigenous art forms. I am an amateur painter and maker of things. But I spend most of my time doing this and I will continue as long as there are new things to discover….I like my works to be joyous, colorful with a kinetic feel. I’ll work with and on anything available, including old wood, cardboard and all kinds of wonderful junk,” writes John van Orsouw.
John meets all the requirements to be himself.
He is completely self-taught which is not to say that he is not schooled. His schooling,however,has been the museums, the ideas, the movies and the streets of urban life both in the U.S. (New Orleans, New York City) and in Europe including his childhood home in Holland. Presently he is selling his work in New York City. His recent exhibitions include the Outsider Art Fair in New York and Paris, The 6th annual Outsider Art Exhibition at Galerie Belage in West Hampton Beach, New York , Musee de la Creation France and van der Plas gallery in New York City.
John’s paintings are part child, part expressionistic brut, part music and part CoBrA. He is Dubuffet filtered through Rembrandt and Bosch via Karel Appel. He is, in the composite, pure John van Orsouw, a free spirit inspired by daily life, its sounds, its smells, its colors, its culture and its language. Spontaneity is his medium, like the jazz he celebrates in his work.
His work is playful – a carnival of bright, primary-colored toys which he then, like a magician, swirls through scribbles of motion and ends with a figure, an animal or a musical instrument. He plays with the idea that art is a toy and works the shapes into shape and superimposes, imposes and just plain poses these shapes within the spontaneous, organic and sometimes conscious scribbles, squiggles and doodles. it looks like John is having fun. And that’s the way he wants it to look.
When he is working, John is in the center ring of a 3-ring circus. He is the ringmaster for the clowns, cartoons, the blues, jazz and colorful men and women. Wild-eyed dogs, cats and birds roam freely through his field of vision. As ringmaster he snaps his whip and whips his performers into recognizable shapes but in the end they all have a life of their own. His work, like the playful circus of his imagination, has been created for children of all ages!
Phil Demise Smith, New York.
PARADISE LOST Mixed media painting on canvas 48”x 48” RED HOT Mixed media painting on canvas 48”x 40” GOODBYE JOE Mixed media painting on canvas 48” x 48” A NIGHT IN LA BOCA Mixed media painting on canvas 50”x 34”
Congratulations to all who made it into issue two of Outsider Art Magazine.
Thank you to everyone who participated and submitted your art for consideration. There was some amazing art that didn’t make the cut so please keep submitting for future issues of Outsider Art Magazine. Next call for art will be soon and we will send out an email and post a call for art.
Selected Artists listed in no particular order.
Selected Artists – Issue Two
Congratulations to all who made it into issue two of Outsider Art Magazine.
Thank you to everyone who participated and submitted your art for consideration. There was some amazing art that didn’t make the cut so please keep submitting for future issues of Outsider Art Magazine. Next call for art will be soon and we will send out an email and post a call for art.
Jeanette Chan is a graphic artist and illustrator located in the San Francisco Bay Area. Her art incorporates dark and cute elements for a spooky, yet appealing aesthetic. Jeanette’s interests include traveling, meditation, trying new food, and birds. You can follow her on social media with her username, Comfydarkme.
Jeanette Chan is a graphic artist and illustrator located in the San Francisco Bay Area. Her art incorporates dark and cute elements for a spooky, yet appealing aesthetic. Jeanette’s interests include traveling, meditation, trying new food, and birds. You can follow her on social media with her username, Comfydarkme.
Double Ink, Watercolor, Colored Pencil 5 x 5 inches Blooming Ink, Watercolor 5.5 x 8.5 inches Deer Ink, Graphite, Digital ink 8.5 x 11 inches Whale Ink, Watercolor, Colored Pencil 5 x 5 inches
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade.
My name is Eric Polise. I am an American Artist currently creating out of Seneca Falls, New York/ USA. I have been a professional artist doing shows in London, Uk , Toronto, CA, Florida, USA, Pittsburgh, USA, Rochester, NY and New York, USA for over a decade. I have noticed your magazine on the Internet and through email communication. I believe my work will be a great fit for your magazine as I have always been considered an “outsider artist” I am also the publisher of PUPPET MASTER MAGAZINE. Which is an underground art magazine on its 3rd issue and I have enjoyed diving into your magazine online to see the great work you and your team are doing. I would love to meet your team someday. I will submitting my own work of course for the submission that follows. I am submitting 4 pieces from a recent series of mixed media work.
Thank you and keep up the great work!
Eric Polise
THE GETAWAY CAR MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND OBJECTS 36″x48″ LUCIFER’S FARM MIXED MEDIA INCLUDING OIL, ACRYLIC, INK AND FOUND ITEMS 24″X48″ DOMESTIC GODDESS MIXED MEDIA WITH OIL, ACRYLIC, FOUND OBJECTS AND A RESIN FINISH 24″X36″ FIRST DAY OF REFORM SCHOOL MIXED MEDIA INCLUDING OIL, ACRYLIC, FOUND OBJECTS AND RESIN ON STRETCHED CANVAS 24″X36″
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Growing up, JoAnn continually sought out a variety of artistic endeavors like sculpting with clay, designing jewelry, sketching and painting. Her visual development grew further with her involvement in her high school theatre’s stage crew as costume and makeup designer. In college, she established a foundation of color theory, spatial and shape proportion and reveled in a new found passion exploring 3-dimensional drawing with wire. She graduated from Philadelphia’s Drexel University in 1995 with a BS in Graphic Design. While in Philadelphia she loved the city and the variety of people surrounding her, people from all over the world.
After graduating she stayed in the city, working for the Philadelphia Museum of Art. Among other things, she was responsible for hanging labels next to the paintings. With this opportunity to spend time in the galleries, empty of their crowds, JoAnn was enamored by the history and talent around her, and tried to soak it all up. Around this time she also had some of her own paintings in a few cafés in Philadelphia and Manyunk, PA, but unfortunately didn’t keep any records.
After leaving the museum, she worked as an art director for a few different pharmaceutical advertising and medical education companies, but eventually realized how far she’d veered from her passion for fine art. JoAnn found herself depressed and full of anxiety. Finding control of these mental diversions became apparent when she gave herself over to her creativity and got back to painting again.
In 2016, she again hung her art publicly at Green Wolf’s Village Barn and also Schang-Hai Gallery, both of Skippack, PA. JoAnn hopes that viewers of her art can recognize and absorb some of the peace and happiness she found in making it. She currently lives outside of Philadelphia with her husband and 2 incredible kids.
Artist Statement
BREAKING IT DOWN
People ask how long I’ve been an artist. I can’t remember a time that I wasn’t an artist, so the answer must be all my life. I love the complexity of shadow and highlight layered together to compose a face, an object, or a scene. I break down the components like puzzle pieces, forgetting what I know I see and deconstructing it into fragmented color, sometimes with hard edges, sometimes blending into one another. Conversely, I also love the simplicity that flat color and simple lines can combine to demonstrate vast emotion. Various weights and tones can hold texture as well as inspiration and sensitivity.
I think of objects in terms of their form; breaking elements down into fields of color, subtle gradients and contrasting shades. I seek to explore edges and the shadows they can create.
BUILDING IT UP
I build up tactile layers of paint gradually, while building up visual layers between foreground and background. I form my subject on the canvas using thin layers of paint, trying to be aware of the entire canvas at once, keeping in mind that one thing’s configuration affects another’s shape and shadows. The process has to be amorphic in that there is no one single path. As the piece grows with each level the image become more intelligible. In the final layers, I like to get messy, splashing paint and smearing with a palette knife. My goal is not to be photographic, but rather impressionistic.
For many years my focus was on portraits, still life and landscapes, keeping some kind of bond with reality I thought. I continue to explore nature in my work, but have also branched out into a new realm for me, what I like to call Abstract Humanity. My depictions of personal interaction live in environments not recognizable from our world, but from a place unique to varying perceptions or consciousness. In striving to provide a visual for emotions, often chasing circles and swirls across my canvas, I’ve noticed that I’m trying to once again find my true self, find the center.
My intention is to open a visual communication between myself and you, the viewer; I want to keep you engaged and your imagination active. Ultimately my wish is for you to become a collaborator in my work as your ideas about my art develop and grow.
Edgewater Plea Acrylic and Cut Paper on Canvas 18″ x 24″ God, Have We Prayed Enough Yet? Acrylic and Cut Paper on Canvas 12″ x 16″ Lost without You Acrylic and Cut Paper on Canvas 12″ x 16″ Lost in a Room Acrylic on Canvas 12″ x 12″