Featured Artist | Valentina Fedoseeva

Valentina Fedoseeva

Roscoe, IL
https://linktr.ee/Val_illusion_art
@val_illusion_art

“Colour is a power which directly influences the soul,” Valentina says, quoting Wassily Kandinsky.

Since Val discovered the Science of Color Therapy she continuously experiments with the healing power of colors. She realized on a deeper level the influence of colors on the lives quality.

“As for today, I use that knowledge in my paintings. Working on it I convey an emotional surge and sense of color. We know since ancient times that properly balanced colors have a mysterious effect on the human psycho-emotional state, improve our health and mood. So, I inlay the knowledge of how colors can transform a person’s life in every brushstroke. The correctly selected artwork has a permanent meditative effect which definitely will help you to find a balance and state of mind,” Valentina says.

Valentina loves to draw since early childhood. While she studied at the Art School, she was sure that creativity will always be a vital part of her life. Later she studied Interior Design where her favorite subjects were painting and art history. The mesmerizing artworks of Salvador Dali, George Braque, Amadeo Modigliani, Piet Mondrian, and Kandinsky had an indelible impact on her. Their artworks influenced more her perception of color than of style. It is harmoniously balanced both in color scheme and emotional components.

Val has a passion for traveling, as she considers it the best means for inspiration.

She was born in a small town in the place known as Bessarabia, and

from a young age, she moved from one place to another, gained experience, absorbing the charms of each of them.

At the age of 18, while her family lived in Israel, she moved to Russia, where she continued to study, meet other young artists, and share her experience.

For several years she lived in the foothills of the Caucasus on the shore of the Black Sea.

She traveled a lot and was inspired by the culture of different peoples.

Indelible impressions were received during a traveling through India where she dived into the riot of colors of the wild east. She traveled around Mexico and Guatemala exploring traditional Aztec and Mayan ornament. Great!

“I love to create something new, to experiment with styles and shapes, colors and textures. I observe how it influences the other people,” Valentina says.

For quite a long period, her choice was on soft pastels, it was a very bright wave in her life, the results were pleasing. Val started working on graphics, precise clear lines, and dot-work. This process absorbed her completely, but she didn’t want to stop there either.

Since 2017, Val lives and creates in the US. Along with the moving, acrylic paints and large canvases came into her life.

“It is like different poles of my nature, on the one hand, it is black and white graphics, clear lines and the smallest details, and on the other hand it is a colorful self-expression,” Valentina says.

Mountains and Thousands of Suns #01 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #01 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #02 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #02 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #03 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #03 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #04 | Acrylic paint on Canvas | 16 in x 20 in
Mountains and Thousands of Suns #04 | Acrylic paint on Canvas | 16 in x 20 in

 

Featured Artist | Nicklas Farrantello

Nicklas Farrantello

Orlando, FL
https://fortunewheels.company.site

Recently, at a traveling carnival, I came across one of those old coin-operated fortune-telling machines. You put a quarter in the slot, a figure comes to life, waves its “hand” over a glass ball, and out pops a scroll of paper with your future written on it. I was struck by the device’s mannequin, wrapped in colorful, patterned, silks and the device’s antique carved wood cabinet, with brass detailing. I was also intrigued by the idea that this mechanical device with gears and cogs was somehow supposed to be able to tell me my future. How could a cold machine possibly know my life’s destiny? Of course, it can’t. Like the fortune cookie or the Magic 8 Ball, these things are meant solely for entertainment.

Yet, they still hold power over us. For some people, a Ouija board or a deck of tarot cards can be the couriers of life-changing information. These objects are believed to possess mystifying and arcane knowledge, even though, in reality, they are just novelty consumer products. The clerk at the magic store orders a gross of tarot cards whenever the stock is low and a new Ouija board can be purchased in the board game section of your local toy store, next to Chutes and Ladders.

The thing that makes these items magical can be found in their construct…not in just how they are made or their graphic design, but in their entire idea. Usually, the stories around these items are just as important as the items themselves; and the contexts in which they are used play a massive part in their power.

I began to wonder if there are other objects that somehow provide knowledge through purely mechanical means. Old analog calculators leaped to mind, the slide ruler, the abacus, and the mechanical adding machine with its crank handle. These devices also convey complicated ideas through the simple arrangement of moving parts. And their power is not questioned. All of ancient China was controlled using sliding beads on an abacus.

Like the fortune-telling machine at the fair, these tools of science were often also beautiful, delicately carved devices with inlaid brass and ivory. Although these machines were based on math, for some, they too possess mystifying and arcane knowledge. They have their own mysticism, their own sacred places of use, and their own histories and lore. In the hands of mystics at NASA, the slide ruler took us to the moon.

So here I present a new paradigm. What if science made devices that could calculate more than just numbers? What if engineers and mathematicians could come up with formulas and conversion wheels that could tell us who to love or the nature of the soul? What might it look like if all the mysteries of the world could be quantified, laid out in charts, then formatted into easy-to-use slide wheels? What if there was a company that had been creating just such devices for decades? This collection is a celebration of that idea

Whom Should You Trust | mixed | 16" x 16" x .75"
Whom Should You Trust | mixed | 16″ x 16″ x .75″
What They Made You Forget | mixed | 20" x 30" x 1"
What They Made You Forget | mixed | 20″ x 30″ x 1″
How Many Cat Souls Equals One Dog Soul | mixed | 30" x 20.75" x 1"
How Many Cat Souls Equals One Dog Soul | mixed | 30″ x 20.75″ x 1″
Is Your Relative Possessed | mixed | 20" x 23" x 1"
Is Your Relative Possessed | mixed | 20″ x 23″ x 1″

 

Featured Artist | RINA Taytu

RINA Taytu

Nerima-ku, Tokyo, Japan
https://www.instagram.com/rina_taytuart
@rina_taytuart

The theme of my works is coming from “To Live”. Most of them, if anything, are based on “sorrow” and “trouble” around us. Among these sorrow things, I shift my thought to feel a thanks. When I feel a thank, I see a small “dream” near in the future. It is “drawing” for me to make a form from a small dream.

ARIN | coloredpencil/ballpoint/acrylic | 420mm×590mm
ARIN | coloredpencil/ballpoint/acrylic | 420mm×590mm
NAKED ISLAND | coloredpencils/acrylics | 210mm×297mm
NAKED ISLAND | coloredpencils/acrylics | 210mm×297mm
OIRAN (lotus) | coloredpencils/acrylics/photoshop | 1000mm×820mm
OIRAN (lotus) | coloredpencils/acrylics/photoshop | 1000mm×820mm
OIRAN (rebirth) | coloredpencils | 300mm×300mm
OIRAN (rebirth) | coloredpencils | 300mm×300mm

Featured Artist | Zoltan Molnos

Zoltan Molnos

Odorheiu Secuiesc,Harghita county,Transylvania
http://www.molnos-zoltan.webnode.hu/

David Gilmour | oil on canvas | 30x40 cm
David Gilmour | oil on canvas | 30×40 cm
Magician | oil on canvas | 50x70 cm
Magician | oil on canvas | 50×70 cm
Maria | oil on canvas | 100x100cm
Maria | oil on canvas | 100x100cm
Tree Gracias  oil on canvas | 50x70 cm
Tree Gracias oil on canvas | 50×70 cm

Featured Artist | Robert Frankel

Robert Frankel

Wilmette, IL
robertfrankelart.com
@robertfrankelart

I like to create energy and motion by contrasting bright colors, heavy brushstrokes, and unusual shapes and textures.

Many people who view my work tell me it makes them happy. My lack of formal art training has enabled me to think and paint “out of the box” in regards to composition, textures, and colors.

I have been in a number of national and international exhibitions which include Van Der Plas Gallery, SITE Gallery, 440 Gallery, and Greenfield Gallery in NYC, La Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I have exhibited at Saatchgi-The Other Art Fair in Chicago and will be exhibiting in the Saatchi -Los Angeles exhibition in Spring of this year. In 2019 I was one of twenty finalists for the Art Takes Manhattan Competition.

Geschmier #5 | Acrylic on canvas | 40 x 30 x 1.5 (inches)
Geschmier #5 | Acrylic on canvas | 40 x 30 x 1.5 (inches)
Geschmier #1 | Acrylic on canvas | 12 x 9 x .5
Geschmier #1 | Acrylic on canvas | 12 x 9 x .5
Big Bang | Acrylic on canvas | 40 x 30 x 1.5
Big Bang | Acrylic on canvas | 40 x 30 x 1.5
Geschmier #7 | Acrylic on canvas | 12 x 9 x .5 (inches)
Geschmier #7 | Acrylic on canvas | 12 x 9 x .5 (inches)

FROM| Outsider Art Magazine Issue Five

FROM| Outsider Art Magazine Issue Five

Outsider Art Magazine Issue Five
Cover Artist: WILD TYPE | Waiting, Gouache, Ink on Paper, 11″ x 8.5″

FREE Digital Version
$30 Print

Well, it’s finally ready! Issue Five.

Thank you to every artist who submitted artwork for this giant issue of Outsider Art Magazine. Get your art ready because in January 2021 we will be releasing a new call for art. In addition to visual art we will be accepting poetry, short (very short) stories, and interesting articles about artists and their creative journey.

Artists in this Issue

WILD TYPE
Robert Gorchov
Todd Brugman
John McCabe
Robbie Gallows
Dalia Goldberg
Stefan Pruteanu
Magdalena Sikora
Samantha Sadik
Sophie Jacobs
Paulina Klimek-Cornett
Abbott Philson
Nickolai Dostanko
Matthew Clarke
Szilard Juhasz
MRSN
Pracheta Banerjee
Baili Wise
Jimmy Gockel
Nicholas Teetelli
Karen Glykys
Robert Frankel
Charles McDowell
Arne Søvik Larsen
Nicole Sullivan
Hannah Bouchard
Xavier Yarto
Mark Pol
Joyce Thornbug
Ian Hartley
Margarita Henriksson
Harrison Ernst
Homer Johnson
Tiantian Ma
Kayle A. Martinez
Rocio Garcia Montiel
Brooke Mathews
Brian Simons
Oliver Quinto
Romero Pasin
Thomas Sciacca
Dawn Rettew
Erik Aleksiewicz
NPrima/Natalia Proskuriakova
Jesus Diaz
Noah Velez
Andrew Stackpole
Gwen Hallford
Barbara Redondo
Anastasiia Kruglova
Jack Oliver
Ken Berman
Monica Tiulescu
Kitty Taylor
Dio D’Brutto
Lisa Castel

Featured Artist | Nicole Sullivan

Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.

My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.

My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.

Outsider Art Magazine

Nicole Sullivan | Las Cruces, NM
@thestarsandgod

Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.

My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.

My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.

my socks | acrylic on canvas | 34"x61"
my socks | acrylic on canvas | 34″x61″
 filth | acrylic on canvas | 18"x21.5"
filth | acrylic on canvas | 18″x21.5″
This is What Happens When You're Away | acrylic on canvas | 20"x20″
This is What Happens When You’re Away | acrylic on canvas | 20″x20″
Daddy's Fleshlight | acrylic on canvas | 61"x54.5"
Daddy’s Fleshlight | acrylic on canvas | 61″x54.5″

 

Featured Artist | Robert Gorchov

I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.

This is part of what makes painting interesting for me.

Outsider Art Magazine

Robert Gorchov | Philadelphia, PA

I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.

This is part of what makes painting interesting for me.

 

Featured Artist | Xavier Yarto

Outsider Art Magazine

Xavier Yarto | El Cajon, CA
@xavier_Yarto

A Mexican painter who has managed to put in purely abstract work a very unique through the creation of particular colors that give great strength and impact to your work touch.

The author seeks to bring a point beyond abstract art by combining this technique with a job in high relief of pre-Hispanic culture, which he turned in its theme transforms in concept and reinforced with a new set of colors that the artist creates otherwise to highlight the meaning of each icon used in his work.

Artist ambassador in Tintoretto pennelli, Italy

Giorgio Vasari award winner 2019

Global art award nomination 2017 &18

Award winner images of the world, Bangkok, Thailand. 2019

After presenting several important and renowned places worldwide including Mexico, the U.S, Netherlands, Spain, England, Austria, Belgium, France (Louvre Museum in Paris), Italy (Palazzo della Cancelleria di Roma, Palazzo della Cancelleria Vaticana, Museo Villa Pisani di Venice) Denmark, Sweden, South Korea, Bangkok, Thailand.

No doubt his work hits again, because it not only offers the viewer the quality of an abstract work but takes the enigmatic world of pre-Columbian art . A job as its author calls it, ” a recreation of the Hispanic culture with a modern language.”

So Xavier Yarto contributes to art works full of color, strength and content. An artist who searches every new best to previous work.

 The Parisian girl of the long hear | Acrylic on paper | 45 x 65 cm

The Parisian girl of the long hear | Acrylic on paper | 45 x 65 cm

 The pretty girl with the pigtails and the cat named Keku | Acrylic on paper | 50 x 70 cm

The pretty girl with the pigtails and the cat named Keku | Acrylic on paper | 50 x 70 cm

 The woman with the beautiful curls Acrylic on paper | Acrylic on paper | 45 x 65 cm

The woman with the beautiful curls Acrylic on paper | Acrylic on paper | 45 x 65 cm

 The man with the long mustache and the black cat | Acrylic on paper | 45 x 65 cm

The man with the long mustache and the black cat | Acrylic on paper | 45 x 65 cm

Featured Artist | Robert Frankel

Outsider Art Magazine

Robert Frankel | Wilmette, IL
@robertfrankelart

Since I was a kid I kept myself busy carving sticks into mini-sculptures, doodling during class, and drawing figures on the sidewalk with chalk. Having never received any formal art training, I have managed to teach myself the basics of painting and wood sculpture.

I have exhibited in a number of Galleries that include SITE Gallery, 440 Gallery, and Van Der Plas Gallery in New York City, Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I was one of 20 finalists in 2019 as part of the “Art Takes Manhattan Competition.” My goal is to make the world a happier place through art.

Portrait Painting #1 | Acrylic on Canvas | 16 x 20 x 1
Portrait Painting #1 | Acrylic on Canvas | 16 x 20 x 1

Farbe ist Alles #15 | Acrylic on Canvas | 24 x 24 x 1.5
Farbe ist Alles #15 | Acrylic on Canvas | 24 x 24 x 1.5

Farbe ist Alles #5 | Acrylic on Canvas | 40 x 30 x 1.5
Farbe ist Alles #5 | Acrylic on Canvas | 40 x 30 x 1.5

Urban Art #1 | Acrylic on Canvas | 40 x 30 x 1.5
Urban Art #1 | Acrylic on Canvas | 40 x 30 x 1.5