My work is loosely based on the figure, sometimes morphing into quirky and other worldly beings. The figures I create, some creepy and dark are not to be found on the street but rather in one’s imagination or dreams creating an alternate universe. My ceramic figures inhabit boats, circular and square stands, clay or wooden wagons with wheels, figures sitting on animals or chairs and recently figures appear in portraits.

Marilyn Richeda

South Salem, NY
marilynricheda.com
@marilynricheda

My work is loosely based on the figure, sometimes morphing into quirky and other worldly beings. The figures I create, some creepy and dark are not to be found on the street but rather in one’s imagination or dreams creating an alternate universe. My ceramic figures inhabit boats, circular and square stands, clay or wooden wagons with wheels, figures sitting on animals or chairs and recently figures appear in portraits.

Although my figures are pared-down minimalist in outside appearance, I mean for them to have complicated and subtle inner lives. For me, they carry the heavy weight of emotional fragility.

Wondering how to live in the world with others … this is my way of speaking through my art, my way of being in the world.

Girl Bandit | Ceramic/porcelain | 4.5"h x 3.5"w x .5"d
Girl Bandit | Ceramic/porcelain | 4.5″h x 3.5″w x .5″d
Flower Bandit | Ceramic/earthenware | 4.5"h x 3.5"w x .25"d
Flower Bandit | Ceramic/earthenware | 4.5″h x 3.5″w x .25″d
Horse with Rider | Ceramic/earthenware | 3.5"h x 4.5"w x .5"d
Horse with Rider | Ceramic/earthenware | 3.5″h x 4.5″w x .5″d
Blue Dress | Ceramic/earthenwaren |4.5"h x 3.5"w x .5"d
Blue Dress | Ceramic/earthenwaren |4.5″h x 3.5″w x .5″d

Outsider Art Magazine | Issue Three is Here!!!

Finally!!! … Outsider Art Magazine Issue Three is now available for free downloads and not free print purchases.

Congratulations to Bill Skrips whose art has landed on the cover of issue three.

Thank you to every artist who submitted their art and to those who made the cut for issue three, We are now accepting free art submissions for issue four.

Outsider Art Magazine Issue Three
Cover Art | The Sylph | Mixed Media | 21″ x 15″ 8″

Cover Artist
Bill Skrips | Cerrillos, NM
http://www.billskrips.com
@billskrips

 

Get your copy today.

Print $25
Digital Free

 

Featured Artist – Marilyn Richeda

My creative process is based on working intuitively from feelings, memories and my imagination. I usually work in a series which can lead me into extensive exploration of an idea and form. Form is an essential element in my work. My secondary focus is to develop different types of surfaces that will enhance and support the form. I can’t say enough about color. In many ways, color is the most important part of every piece I make. The dance begins as soon as I start brushing the glazes onto bone dry terra-cotta. The clay draws the slips and glazes in, sometimes making a particular sound; I like that. I layer the slips and glazes until I achieve a result which is emotionally satisfying to me. The use of color is more emotional than logical. Although my figures are pared-down minimalist in outside appearance, I mean for them to have complicated and subtle inner lives. For me, they carry the heavy weight of emotional fragility. They are simultaneously grotesque, beautiful, repulsive and mesmerizing. The figures I create, some creepy and dark, are not to be found on the street, but rather in one’s imagination or dreams creating an alternate universe. My use of wagons, carts, wheels, boats and chairs place the figure in or on an object to transport them to another place.

Outsider Art Magazine

Featured Artist

Marilyn Richeda – South Salem, NY
Instagram

My creative process is based on working intuitively from feelings, memories and my imagination. I usually work in a series which can lead me into extensive exploration of an idea and form. Form is an essential element in my work. My secondary focus is to develop different types of surfaces that will enhance and support the form. I can’t say enough about color. In many ways, color is the most important part of every piece I make. The dance begins as soon as I start brushing the glazes onto bone dry terra-cotta. The clay draws the slips and glazes in, sometimes making a particular sound; I like that. I layer the slips and glazes until I achieve a result which is emotionally satisfying to me. The use of color is more emotional than logical. Although my figures are pared-down minimalist in outside appearance, I mean for them to have complicated and subtle inner lives. For me, they carry the heavy weight of emotional fragility. They are simultaneously grotesque, beautiful, repulsive and mesmerizing. The figures I create, some creepy and dark, are not to be found on the street, but rather in one’s imagination or dreams creating an alternate universe. My use of wagons, carts, wheels, boats and chairs place the figure in or on an object to transport them to another place.

Gentle Empathy Medium Ceramic Size 7.5"h x 8"w x 4.25"d
Gentle Empathy
Medium
Ceramic
Size
7.5″h x 8″w x 4.25″d
Put Together Medium Ceramic Size 14.25"h x 15.5"w x 4.5"d
Put Together
Medium
Ceramic
Size
14.25″h x 15.5″w x 4.5″d
It's Complicated Medium Ceramic Size 14.5"h x 8.5"w x 11.5"d
It’s Complicated
Medium
Ceramic
Size
14.5″h x 8.5″w x 11.5″d
The Searchers Medium Ceramic Size 17.25"h x 6.5"w x 15.5"d
The Searchers
Medium
Ceramic
Size
17.25″h x 6.5″w x 15.5″d