I am a compulsive artist…I paint everyday because I have to!
My images are raw and intuitive. Colors harmonize in unexpected ways and exuberance often collides with angst.
Faces predominate my work, many in frontal gazes that meets the viewer head -on; faces as maps that reveal places we’ve been…or may be going.
In the words of Zorba the Greek—
I embrace everything…the full catastrophe, speaking to the human condition of joy and triumph, suffering and celebration.
Party in My Head | Mixed media on repurposed wood | 40″ x 38″Gumby | Mixed media on panel | 11.25″ x 11.5″A Day at the Beach | Mixed media on panel | 12″ x 12″The New Normal | Mixed media on panel | 12″ x 12″
A Mexican painter who has managed to put in purely abstract work a very unique through the creation of particular colors that give great strength and impact to your work touch.
The author seeks to bring a point beyond abstract art by combining this technique with a job in high relief of pre-Hispanic culture, which he turned in its theme transforms in concept and reinforced with a new set of colors that the artist creates otherwise to highlight the meaning of each icon used in his work.
Artist ambassador in Tintoretto pennelli, Italy
Giorgio Vasari award winner 2019
Global art award nomination 2017 &18
Award winner images of the world, Bangkok, Thailand. 2019
After presenting several important and renowned places worldwide including Mexico, the U.S, Netherlands, Spain, England, Austria, Belgium, France (Louvre Museum in Paris), Italy (Palazzo della Cancelleria di Roma, Palazzo della Cancelleria Vaticana, Museo Villa Pisani di Venice) Denmark, Sweden, South Korea, Bangkok, Thailand.
No doubt his work hits again, because it not only offers the viewer the quality of an abstract work but takes the enigmatic world of pre-Columbian art . A job as its author calls it, ” a recreation of the Hispanic culture with a modern language.”
So Xavier Yarto contributes to art works full of color, strength and content. An artist who searches every new best to previous work.
The Parisian girl of the long hear | Acrylic on paper | 45 x 65 cm The pretty girl with the pigtails and the cat named Keku | Acrylic on paper | 50 x 70 cm The woman with the beautiful curls Acrylic on paper | Acrylic on paper | 45 x 65 cm The man with the long mustache and the black cat | Acrylic on paper | 45 x 65 cm
Since I was a kid I kept myself busy carving sticks into mini-sculptures, doodling during class, and drawing figures on the sidewalk with chalk. Having never received any formal art training, I have managed to teach myself the basics of painting and wood sculpture.
I have exhibited in a number of Galleries that include SITE Gallery, 440 Gallery, and Van Der Plas Gallery in New York City, Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I was one of 20 finalists in 2019 as part of the “Art Takes Manhattan Competition.” My goal is to make the world a happier place through art.
Portrait Painting #1 | Acrylic on Canvas | 16 x 20 x 1Farbe ist Alles #15 | Acrylic on Canvas | 24 x 24 x 1.5Farbe ist Alles #5 | Acrylic on Canvas | 40 x 30 x 1.5Urban Art #1 | Acrylic on Canvas | 40 x 30 x 1.5
Congrats to all the Artists who made it into issue four and thank you to everyone who submitted art for consideration. We had a name change, but we still have the same great art.
Check back in about a week or so for a new call for art.
Veronique Ivanović, K75 is a citizen of the world who started creating art at a young age. She was born and lived in Paris/France, London/Great Britain, then moved the United States.
She has been a professor/interpreter and volunteer of French language in New York City, and Atlanta, where she resides. Discovering and taking a deep appreciation for the surrealist movement, Veronique Ivanović K75 abstract art is inspired by geometric structures with experimentation of both subtle and bold integration of lines and colors.
Veronique Ivanović K75 has been working on found and recycled materials for a long time, favoring acrylics paint and collage.
For her, giving discarded things a second chance will help ameliorate the sustainability issues humanity has bequeathed itself. And, also allowing these otherwise discarded things another likelihood.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections; lights being jealous of the shadows, strong colors against a cloudless sky, chaos and serenity. I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections, lights being jealous of shadows, strong colors against a cloudless sky, chaos and serenity.
I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.
God’s Twilight | Acrylics on wood | D 25″Early Antique Mortuary Mask | Mixed media | H 12″ W 24″ D 2″Chaos | Acrylics and paper on plywood | H 53″ W 35″ D 1″Blue Lips | Collage and acrylics on metal | D 13″
I am a neoOutsider artist. I’m a Southerner who came to art late in life as the result of personal trauma. My work is infused with my belief in God whose hand guides me.
I am a neoOutsider artist. I’m a Southerner who came to art late in life as the result of personal trauma. My work is infused with my belief in God whose hand guides me.
A Television | Acrylic on wood | 24×24 Consummation | Acrylic on wood | 24×48 Estella | Acrylic on canvas | 60×48 Easter | Acrylic on wood | 24×48
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Stan Reed is an Outsider multimedia artist, photographer and musician who works in the genres of DaDa and Surreal art of all types. He specializes in collages, both digital and analog. His music projects include Blue Sabbath Black Cheer and The Broken Penis Orchestra. He has also worked with Steven Stapletons Nurse With Wound and Richard Rupenus Mixed Band Philanthropist.
Sorrow Analog collage on hand woven pages 7″ x 10″ Jaws Of Life Analog collage on hand woven pages 7″ x 10″ At Arms Length Analog collage on hand woven pages 7.5″ x 10″
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Growing up, JoAnn continually sought out a variety of artistic endeavors like sculpting with clay, designing jewelry, sketching and painting. Her visual development grew further with her involvement in her high school theatre’s stage crew as costume and makeup designer. In college, she established a foundation of color theory, spatial and shape proportion and reveled in a new found passion exploring 3-dimensional drawing with wire. She graduated from Philadelphia’s Drexel University in 1995 with a BS in Graphic Design. While in Philadelphia she loved the city and the variety of people surrounding her, people from all over the world.
After graduating she stayed in the city, working for the Philadelphia Museum of Art. Among other things, she was responsible for hanging labels next to the paintings. With this opportunity to spend time in the galleries, empty of their crowds, JoAnn was enamored by the history and talent around her, and tried to soak it all up. Around this time she also had some of her own paintings in a few cafés in Philadelphia and Manyunk, PA, but unfortunately didn’t keep any records.
After leaving the museum, she worked as an art director for a few different pharmaceutical advertising and medical education companies, but eventually realized how far she’d veered from her passion for fine art. JoAnn found herself depressed and full of anxiety. Finding control of these mental diversions became apparent when she gave herself over to her creativity and got back to painting again.
In 2016, she again hung her art publicly at Green Wolf’s Village Barn and also Schang-Hai Gallery, both of Skippack, PA. JoAnn hopes that viewers of her art can recognize and absorb some of the peace and happiness she found in making it. She currently lives outside of Philadelphia with her husband and 2 incredible kids.
Artist Statement
BREAKING IT DOWN
People ask how long I’ve been an artist. I can’t remember a time that I wasn’t an artist, so the answer must be all my life. I love the complexity of shadow and highlight layered together to compose a face, an object, or a scene. I break down the components like puzzle pieces, forgetting what I know I see and deconstructing it into fragmented color, sometimes with hard edges, sometimes blending into one another. Conversely, I also love the simplicity that flat color and simple lines can combine to demonstrate vast emotion. Various weights and tones can hold texture as well as inspiration and sensitivity.
I think of objects in terms of their form; breaking elements down into fields of color, subtle gradients and contrasting shades. I seek to explore edges and the shadows they can create.
BUILDING IT UP
I build up tactile layers of paint gradually, while building up visual layers between foreground and background. I form my subject on the canvas using thin layers of paint, trying to be aware of the entire canvas at once, keeping in mind that one thing’s configuration affects another’s shape and shadows. The process has to be amorphic in that there is no one single path. As the piece grows with each level the image become more intelligible. In the final layers, I like to get messy, splashing paint and smearing with a palette knife. My goal is not to be photographic, but rather impressionistic.
For many years my focus was on portraits, still life and landscapes, keeping some kind of bond with reality I thought. I continue to explore nature in my work, but have also branched out into a new realm for me, what I like to call Abstract Humanity. My depictions of personal interaction live in environments not recognizable from our world, but from a place unique to varying perceptions or consciousness. In striving to provide a visual for emotions, often chasing circles and swirls across my canvas, I’ve noticed that I’m trying to once again find my true self, find the center.
My intention is to open a visual communication between myself and you, the viewer; I want to keep you engaged and your imagination active. Ultimately my wish is for you to become a collaborator in my work as your ideas about my art develop and grow.
Edgewater Plea Acrylic and Cut Paper on Canvas 18″ x 24″ God, Have We Prayed Enough Yet? Acrylic and Cut Paper on Canvas 12″ x 16″ Lost without You Acrylic and Cut Paper on Canvas 12″ x 16″ Lost in a Room Acrylic on Canvas 12″ x 12″
B. Lucy Stevens is an internationally recognized, self-taught artist living in Providence, Rhode Island. Lucy paints intuitively, her work is vibrant and expressionistic, daily life imagined in a brilliant cacophony of color and pattern. She is inspired by primitive and outsider art and her far-flung travels, from South America, to Indonesia to the South of France, where she lived for a year on a flower farm.
Lucy leads art workshops for children in underserved communities and for adults with developmental disabilities, and she is hugely inspired by their art as well. Her work has been featured in galleries and shows throughout the U.S. as well as in France and the U.K.
My paintings are everything I think and feel and witness, everything I find funny and sad and absurd. They are my offering of myself to the world.
Bali Dreaming acrylic, collage, oil pastel on canvas 30×40 Checkered Dress Lady acrylic, collage, oil pastel on canvas 30×40 Bus Stop acrylic, collage, oil pastel 30×40 Girl and Devil acrylic, oil pastel on canvas 24×36
issue zeroFRONT COVER Fernando Carpaneda – Freeport, NY Outsider Art Magazine Issue ZeroBACK COVER Joyce Thornburg – Asheville, NC Outsider Art Magazine Issue Zero