Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.
Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.
my socks | acrylic on canvas | 34″x61″filth | acrylic on canvas | 18″x21.5″This is What Happens When You’re Away | acrylic on canvas | 20″x20″Daddy’s Fleshlight | acrylic on canvas | 61″x54.5″
I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.
This is part of what makes painting interesting for me.
I’m a self-taught artist and have been drawing and painting for four decades. I’m interested in the process that creates a painting. Although it involves imagination, this process is affected by chance, so that when I begin a picture I have only a half-formed image of what the finished painting might look like. The completed piece only slightly resembles the image that I had in mind when I began it. I think of this as improvisation. Over the years that I’ve been painting, I’ve learned to trust the brush and the materials – to let them take the lead – and not to think too much about how it will end up . . . until I get to that end.
This is part of what makes painting interesting for me.
A Mexican painter who has managed to put in purely abstract work a very unique through the creation of particular colors that give great strength and impact to your work touch.
The author seeks to bring a point beyond abstract art by combining this technique with a job in high relief of pre-Hispanic culture, which he turned in its theme transforms in concept and reinforced with a new set of colors that the artist creates otherwise to highlight the meaning of each icon used in his work.
Artist ambassador in Tintoretto pennelli, Italy
Giorgio Vasari award winner 2019
Global art award nomination 2017 &18
Award winner images of the world, Bangkok, Thailand. 2019
After presenting several important and renowned places worldwide including Mexico, the U.S, Netherlands, Spain, England, Austria, Belgium, France (Louvre Museum in Paris), Italy (Palazzo della Cancelleria di Roma, Palazzo della Cancelleria Vaticana, Museo Villa Pisani di Venice) Denmark, Sweden, South Korea, Bangkok, Thailand.
No doubt his work hits again, because it not only offers the viewer the quality of an abstract work but takes the enigmatic world of pre-Columbian art . A job as its author calls it, ” a recreation of the Hispanic culture with a modern language.”
So Xavier Yarto contributes to art works full of color, strength and content. An artist who searches every new best to previous work.
The Parisian girl of the long hear | Acrylic on paper | 45 x 65 cm
The pretty girl with the pigtails and the cat named Keku | Acrylic on paper | 50 x 70 cm
The woman with the beautiful curls Acrylic on paper | Acrylic on paper | 45 x 65 cm
The man with the long mustache and the black cat | Acrylic on paper | 45 x 65 cm
Since I was a kid I kept myself busy carving sticks into mini-sculptures, doodling during class, and drawing figures on the sidewalk with chalk. Having never received any formal art training, I have managed to teach myself the basics of painting and wood sculpture.
I have exhibited in a number of Galleries that include SITE Gallery, 440 Gallery, and Van Der Plas Gallery in New York City, Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I was one of 20 finalists in 2019 as part of the “Art Takes Manhattan Competition.” My goal is to make the world a happier place through art.
Portrait Painting #1 | Acrylic on Canvas | 16 x 20 x 1
Farbe ist Alles #15 | Acrylic on Canvas | 24 x 24 x 1.5
Farbe ist Alles #5 | Acrylic on Canvas | 40 x 30 x 1.5
Congrats to all the Artists who made it into issue four and thank you to everyone who submitted art for consideration. We had a name change, but we still have the same great art.
Check back in about a week or so for a new call for art.
Veronique Ivanović, K75 is a citizen of the world who started creating art at a young age. She was born and lived in Paris/France, London/Great Britain, then moved the United States.
She has been a professor/interpreter and volunteer of French language in New York City, and Atlanta, where she resides. Discovering and taking a deep appreciation for the surrealist movement, Veronique Ivanović K75 abstract art is inspired by geometric structures with experimentation of both subtle and bold integration of lines and colors.
Veronique Ivanović K75 has been working on found and recycled materials for a long time, favoring acrylics paint and collage.
For her, giving discarded things a second chance will help ameliorate the sustainability issues humanity has bequeathed itself. And, also allowing these otherwise discarded things another likelihood.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections; lights being jealous of the shadows, strong colors against a cloudless sky, chaos and serenity. I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections, lights being jealous of shadows, strong colors against a cloudless sky, chaos and serenity.
I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.
God’s Twilight | Acrylics on wood | D 25″
Early Antique Mortuary Mask | Mixed media | H 12″ W 24″ D 2″
Chaos | Acrylics and paper on plywood | H 53″ W 35″ D 1″
I’m Amy O’Hearn, a New Orleans artist who works from home. Art has saved my soul. For years, I felt I had no inspiration, I was restrained by a rigid job and completely drained every day. Until I started painting. Through a meditative and intuitive approach, I have ignited my passion and unleashed my creativity. I thrive on the risk and spontaneity of not having a plan before I start to paint, I clear my mind and let the colors and the brush take me away. I find it very fulfilling when other people interpret my art, noticing things I haven’t. When possible, I like to name my paintings after the visions others see.
I’m Amy O’Hearn, a New Orleans artist who works from home. Art has saved my soul. For years, I felt I had no inspiration, I was restrained by a rigid job and completely drained every day. Until I started painting. Through a meditative and intuitive approach, I have ignited my passion and unleashed my creativity. I thrive on the risk and spontaneity of not having a plan before I start to paint, I clear my mind and let the colors and the brush take me away. I find it very fulfilling when other people interpret my art, noticing things I haven’t. When possible, I like to name my paintings after the visions others see.
Artist statement:
My artwork is the culmination of tiny triumphs and mistakes that make it beautiful. I choose different colors and add new layers each time I work on a painting. Each session inspires the choices for the next. I might dislike the shapes or colors one day, but I will keep them in and continue to build until it transforms into something I love. I use a variety of brushes, artist tools and multiple layers that provide texture in my pieces. I especially like to use detail brushes for smooth natural edges, spotting (dots) and subtle combinations of color. When painting subject matter, I like to incorporate the same intuitive approach. The object is the inspiration and my painting is not constrained to the rules of reality. I accomplish this through color choices, not-to-scale sketching, experimenting with the background and the use of bold outlines.
Outsider Art Magazine is pleased to announce our selections for issue zero. Thank you to everyone who submitted their artwork for issue zero.
Outsider Art Magazine is pleased to announce our selections for issue zero. Thank you to everyone who submitted their artwork for issue zero.
Our cover Artists will be revealed when the issue is released.
In no particular order here is our 20 selected Artists.
Deveron Richard – San Pedro, CA
Jo Moore – Bournemouth, UK
Baek Lee – Idyllwild, CA
Marija Orlovic – Wiesbaden, Germany
Robin Savage – Providence, RI
Jeff Klena – Elyria, OH
Mista Fig – Tau, UK
Marilyn Richeda – South Salem, NY
Fernando Carpaneda – Freeport, NY
Mary Webster – Peterborough, UK
Joyce Thornbug – Ashville, NC
Matt Rosenbaum – Brooklyn, NY
Sabine Blodorn – Broadbeach, Australia
Sally Mandl – Grenville-sur-la-rouge, Canada
Bird Trash – Houston, TX
William Tyler – Toronto, Canada
Brian Hoffman – Newton, MA
Hui-ju Chen – Shantou, China
Robert Gorchov – Philadelphia, PA
Outsider Art Magazine 