Kevin Kemp
Stratford, Ontario, Canada
kevinkemp@execulink.com




Stratford, Ontario, Canada
kevinkemp@execulink.com




Wilmette, IL
robertfrankelart.com
@robertfrankelart
I like to create energy and motion by contrasting bright colors, heavy brushstrokes, and unusual shapes and textures.
Many people who view my work tell me it makes them happy. My lack of formal art training has enabled me to think and paint “out of the box” in regards to composition, textures, and colors.
I have been in a number of national and international exhibitions which include Van Der Plas Gallery, SITE Gallery, 440 Gallery, and Greenfield Gallery in NYC, La Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I have exhibited at Saatchgi-The Other Art Fair in Chicago and will be exhibiting in the Saatchi -Los Angeles exhibition in Spring of this year. In 2019 I was one of twenty finalists for the Art Takes Manhattan Competition.





FROM| Outsider Art Magazine Issue Five

FREE Digital Version
$30 Print
Well, it’s finally ready! Issue Five.
Thank you to every artist who submitted artwork for this giant issue of Outsider Art Magazine. Get your art ready because in January 2021 we will be releasing a new call for art. In addition to visual art we will be accepting poetry, short (very short) stories, and interesting articles about artists and their creative journey.
Artists in this Issue
WILD TYPE
Robert Gorchov
Todd Brugman
John McCabe
Robbie Gallows
Dalia Goldberg
Stefan Pruteanu
Magdalena Sikora
Samantha Sadik
Sophie Jacobs
Paulina Klimek-Cornett
Abbott Philson
Nickolai Dostanko
Matthew Clarke
Szilard Juhasz
MRSN
Pracheta Banerjee
Baili Wise
Jimmy Gockel
Nicholas Teetelli
Karen Glykys
Robert Frankel
Charles McDowell
Arne Søvik Larsen
Nicole Sullivan
Hannah Bouchard
Xavier Yarto
Mark Pol
Joyce Thornbug
Ian Hartley
Margarita Henriksson
Harrison Ernst
Homer Johnson
Tiantian Ma
Kayle A. Martinez
Rocio Garcia Montiel
Brooke Mathews
Brian Simons
Oliver Quinto
Romero Pasin
Thomas Sciacca
Dawn Rettew
Erik Aleksiewicz
NPrima/Natalia Proskuriakova
Jesus Diaz
Noah Velez
Andrew Stackpole
Gwen Hallford
Barbara Redondo
Anastasiia Kruglova
Jack Oliver
Ken Berman
Monica Tiulescu
Kitty Taylor
Dio D’Brutto
Lisa Castel
Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.
Nicole Sullivan | Las Cruces, NM
@thestarsandgod
Being born in Truth or Consequences has shaped my outlook on life to be a black and white Rube Goldberg machine. I have always studied and been drawn to the Truth.
My work has focused on human struggles with societal pitfalls induced by the conception of morality, and the enforced standards we try and fail to uphold ourselves. Growing up poverty-stricken and at the hands of extreme child abuse, I feel an urgency in addressing these issues and thus issues of morality before true societal progress can be achieved. I believe that what are referred to as the Seven Deadly Sins along with Karma will define the trials and tribulations a person will interact with in their lifetime, and the demons they will struggle with along that path.
My intentions are to spread the word about the struggles within each of us to remain human at all times, and at times, at all cost. Is it okay to help those who admit struggle? Can we be judgmental without being unfair? I want the viewer to understand truths within themselves through my art, to progress and have a life free of burden. I want the viewer to achieve a visual nirvana and ascend to their further purpose.




Xavier Yarto | El Cajon, CA
@xavier_Yarto
A Mexican painter who has managed to put in purely abstract work a very unique through the creation of particular colors that give great strength and impact to your work touch.
The author seeks to bring a point beyond abstract art by combining this technique with a job in high relief of pre-Hispanic culture, which he turned in its theme transforms in concept and reinforced with a new set of colors that the artist creates otherwise to highlight the meaning of each icon used in his work.
Artist ambassador in Tintoretto pennelli, Italy
Giorgio Vasari award winner 2019
Global art award nomination 2017 &18
Award winner images of the world, Bangkok, Thailand. 2019
After presenting several important and renowned places worldwide including Mexico, the U.S, Netherlands, Spain, England, Austria, Belgium, France (Louvre Museum in Paris), Italy (Palazzo della Cancelleria di Roma, Palazzo della Cancelleria Vaticana, Museo Villa Pisani di Venice) Denmark, Sweden, South Korea, Bangkok, Thailand.
No doubt his work hits again, because it not only offers the viewer the quality of an abstract work but takes the enigmatic world of pre-Columbian art . A job as its author calls it, ” a recreation of the Hispanic culture with a modern language.”
So Xavier Yarto contributes to art works full of color, strength and content. An artist who searches every new best to previous work.




Robert Frankel | Wilmette, IL
@robertfrankelart
Since I was a kid I kept myself busy carving sticks into mini-sculptures, doodling during class, and drawing figures on the sidewalk with chalk. Having never received any formal art training, I have managed to teach myself the basics of painting and wood sculpture.
I have exhibited in a number of Galleries that include SITE Gallery, 440 Gallery, and Van Der Plas Gallery in New York City, Galleria Pall Mall in London, and Chie Gallery in Milan Italy. I was one of 20 finalists in 2019 as part of the “Art Takes Manhattan Competition.” My goal is to make the world a happier place through art.




Artists in Issue Four (in no particular order)
Congrats to all the Artists who made it into issue four and thank you to everyone who submitted art for consideration. We had a name change, but we still have the same great art.
Check back in about a week or so for a new call for art.
And a big thank you to our cover Artist:
Anthony Collins | Bennington, VT
anthonycollinsvt.com
@anthony_collins_art
Amy Brereton
Alex Bennett
Michael Hemphill
Kathy Crabbe
Anthony Collins
MRSN.
Ridgely Johnson
Katherine Ramirez
Pedro Troncoso
Bill Skrips
Hannah Bouchard
Aasin A. Thomas
J.V. Foerster
Meira Goodfriend
Clinton Marstall
Thomas Riesner
Robert Gorchov
Daniel Marin
Jennifer Levine
Jennifer Anne Moses
Greg Szostakiwskyj
Veronique Ivanović
Alena Molozanov
Mj Tom of LosOtros
Veronique Ivanović | Atlanta, GA
@vivanovic2
Veronique Ivanović, K75 is a citizen of the world who started creating art at a young age. She was born and lived in Paris/France, London/Great Britain, then moved the United States.
She has been a professor/interpreter and volunteer of French language in New York City, and Atlanta, where she resides. Discovering and taking a deep appreciation for the surrealist movement, Veronique Ivanović K75 abstract art is inspired by geometric structures with experimentation of both subtle and bold integration of lines and colors.
Veronique Ivanović K75 has been working on found and recycled materials for a long time, favoring acrylics paint and collage.
For her, giving discarded things a second chance will help ameliorate the sustainability issues humanity has bequeathed itself. And, also allowing these otherwise discarded things another likelihood.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections; lights being jealous of the shadows, strong colors against a cloudless sky, chaos and serenity. I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.
I was told by professional artists and, gallery owners that an artist should not be all over the place with her/his body of work, because she/he looses her/his audience.
It is very difficult for me to do just that, as I have a Ying/Yang personality type.
Because of difficult times in my life picking up a pencil, a brush, and my camera helped me translate feelings and emotions; captured things that I see and, one might not see, or be trying not to see!
I create, take pictures of what my instant awareness dictates me at that very moment, an intricate, mix of geometrical forms and unusual colors, a bug resting on a person, a graffiti in an abandoned building, or a person lost in her/his thought. This sometimes, drives me to work in series.
I am always fascinated by the dichotomy of the world! Hazy heat and reflections, lights being jealous of shadows, strong colors against a cloudless sky, chaos and serenity.
I like the architectural, the body of human nature, the landscapes that can be found in cities, people and nature alike. I have found myself attracted by multicultural and, multi societal consciousness.
My work, tender, eloquent, provocative and painful at times mirrors my “many lives” and my many foreign travels, as well as my view on cultural, social, and political issues.
Take the time to see me through.




Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Painter JoAnn Moy works in oils, acrylic, and collage while simultaneously pursuing her career as an independant graphic designer. Born to young parents in western Pennsylvania, JoAnn’s favorite childhood memory is of fingerpainting with her sister. Her parents split up early and she never knew her father, beside the fact that he was creative.
JoAnn’s mother too, has her own artistic bend and taught her the importance of precision and quality in crafting. She wanted the girls, JoAnn and her sister, to experience more of life than the countryside of Zelinople had to offer and the little family moved to a town just outside of Pittsburgh.
Growing up, JoAnn continually sought out a variety of artistic endeavors like sculpting with clay, designing jewelry, sketching and painting. Her visual development grew further with her involvement in her high school theatre’s stage crew as costume and makeup designer. In college, she established a foundation of color theory, spatial and shape proportion and reveled in a new found passion exploring 3-dimensional drawing with wire. She graduated from Philadelphia’s Drexel University in 1995 with a BS in Graphic Design. While in Philadelphia she loved the city and the variety of people surrounding her, people from all over the world.
After graduating she stayed in the city, working for the Philadelphia Museum of Art. Among other things, she was responsible for hanging labels next to the paintings. With this opportunity to spend time in the galleries, empty of their crowds, JoAnn was enamored by the history and talent around her, and tried to soak it all up. Around this time she also had some of her own paintings in a few cafés in Philadelphia and Manyunk, PA, but unfortunately didn’t keep any records.
After leaving the museum, she worked as an art director for a few different pharmaceutical advertising and medical education companies, but eventually realized how far she’d veered from her passion for fine art. JoAnn found herself depressed and full of anxiety. Finding control of these mental diversions became apparent when she gave herself over to her creativity and got back to painting again.
In 2016, she again hung her art publicly at Green Wolf’s Village Barn and also Schang-Hai Gallery, both of Skippack, PA. JoAnn hopes that viewers of her art can recognize and absorb some of the peace and happiness she found in making it. She currently lives outside of Philadelphia with her husband and 2 incredible kids.
Artist Statement
BREAKING IT DOWN
People ask how long I’ve been an artist. I can’t remember a time that I wasn’t an artist, so the answer must be all my life. I love the complexity of shadow and highlight layered together to compose a face, an object, or a scene. I break down the components like puzzle pieces, forgetting what I know I see and deconstructing it into fragmented color, sometimes with hard edges, sometimes blending into one another. Conversely, I also love the simplicity that flat color and simple lines can combine to demonstrate vast emotion. Various weights and tones can hold texture as well as inspiration and sensitivity.
I think of objects in terms of their form; breaking elements down into fields of color, subtle gradients and contrasting shades. I seek to explore edges and the shadows they can create.
BUILDING IT UP
I build up tactile layers of paint gradually, while building up visual layers between foreground and background. I form my subject on the canvas using thin layers of paint, trying to be aware of the entire canvas at once, keeping in mind that one thing’s configuration affects another’s shape and shadows. The process has to be amorphic in that there is no one single path. As the piece grows with each level the image become more intelligible. In the final layers, I like to get messy, splashing paint and smearing with a palette knife. My goal is not to be photographic, but rather impressionistic.
For many years my focus was on portraits, still life and landscapes, keeping some kind of bond with reality I thought. I continue to explore nature in my work, but have also branched out into a new realm for me, what I like to call Abstract Humanity. My depictions of personal interaction live in environments not recognizable from our world, but from a place unique to varying perceptions or consciousness. In striving to provide a visual for emotions, often chasing circles and swirls across my canvas, I’ve noticed that I’m trying to once again find my true self, find the center.
My intention is to open a visual communication between myself and you, the viewer; I want to keep you engaged and your imagination active. Ultimately my wish is for you to become a collaborator in my work as your ideas about my art develop and grow.




I am an entrepreneur, outsider-artist and freely thinking individual.
In my art I haven`t restricted my doing to anything specific. I act based on interest, intuition and inspiration. In my art you can see strongly my love for visual experiences, mystical world, diversity of life and unlimited joy.
I am an entrepreneur, outsider-artist and freely thinking individual. In my art I haven`t restricted my doing to anything specific. I act based on interest, intuition and inspiration. In my art you can see strongly my love for visual experiences, mystical world, diversity of life and unlimited joy.



